Showing posts with label Batman. Show all posts
Showing posts with label Batman. Show all posts

Thursday, April 28, 2022

Signed by Four Cartoonists: Bob Kane, Walter Lantz, Charles M. Schulz, and Dean Young

On a collaborative souvenir drawing, four leading cartoonists drew their classic characters: Batman by Bob Kane, Woody Woodpecker by Walter Lantz, Snoopy by Charles M. Schulz, and Dagwood by Dean Young. These artists came together on an unknown date, or dates, from the worlds of newspaper comic strips, comic books, and animation. The characters were all popular, but there isn't all that much synergy between them.


Nevertheless, when bidding hit $1,500 with ten bids placed a full four days before the April 27 auction, I was pretty sure this set of souvenir sketches was as good as sold. But the estimate was an ambitious $2,500 to $3,500 and the reserve, undisclosed, was never reached. Why set it so high? I recommend reserves be set at half the low estimate. Sellers may or may not be pleased with the result of this strategy, but either way the market will set the price and, one hopes, move the merchandise. It's no achievement to be left holding an unsold piece that you want to unload and numerous bidders want to possess.



Charles M. Schulz, Dean Young, Walter Lantz, Bob Kane
Lion Heart Autographs listing accessed April 23, 2022











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Thursday, January 7, 2021

Friday, July 19, 2019

Driven to Distraction

Some car owners just know how to have fun. You can count the pop culture references; they're mostly from the movies.












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Saturday, February 22, 2014

My Entry in the New Yorker Cartoon Caption Contest #415

Here is my entry for the New Yorker Cartoon Caption Contest #415 for February 10, 2014. The cartoon is by Jack Ziegler. The caption is all mine.

Well, okay, it's not really mine. My daughter said this verbatim to my wife when they were lying on the couch watching the Olympics. All I did was transcribe it and pair it with the cartoon, which my daughter hadn't even seen. I thought it worked better here than any of my own ideas because it had an element of surprise.

"I just can't get comfy with you."



These are the captions I came up with on my own albeit when I was trying too hard:
"The Boy Wonder took my wheels to Vegas."
"Could you run upstairs and check for the Bat-Signal?"
"At rush hour, it's the quickest way to the Bat Cave."
"Did you know you've got the build of a Boy Wonder?"


February 24, 2014 Update: The Finalists


March 10, 2014: Winning Caption



Note:  Well, I thought my previous entry in Contest #414 was pretty timely and it even packed a little bit of a punch, but now Chris Christie isn't returning my phone calls.

Older blog posts about Jack Ziegler are here. You could do worse.

Here is another post about the Dark Knight.

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Thursday, September 1, 2011

Batman: The Dark Knight #3

On May 5, this splash drawing of Batman and Robin from Batman: The Dark Knight #3 drawn  by Frank Miller sold for the phenomenal price of $448,125 at Heritage Auctions. The auction lot description uses words like iconic, definitive, and masterpiece to describe this image, where I basically see a Batman with awkwardly-rendered arms.

I confess to being out of my element here. I'm not in the least familiar with The Dark Knight Returns although I certainly would like one day to read what Time magazine calls one of the top ten graphic novels of all time. To make matters worse, I haven't even seen the movie, which means I'm more clueless than most about this whole Dark Knight franchise. I suspect the runaway popularity of the movie may have done something to enliven the bidding on this drawing, and perhaps even some Hollywood money was involved in its purchase. And perhaps not.

In general, I support the power of the market to set prices whether high or low, even in cases like this where I'm clearly not getting it. It's possible that if I read the graphic novel--is it really so much more than a comic book?--I might gain more of an appreciation of the artwork here, or at least of its context. It certainly has energy; I'll grant that. 

Frank Miller, The Dark Knight #3 Splash Page




Sold for:$448,125.00 (includes BP ) 
Bid Source: Live: Phone

Auction Ended On:May 5, 2011
Item Activity:15 Internet/mail/phone bidders 
18,254 page views

Lot Description:


Frank Miller and Klaus Janson Batman: The Dark Knight #3 Batman and Robin Iconic Splash Page 10 Original Art (DC, 1986). Frank Miller'sThe Dark Knight Returns defined the best of 1980s comics, and has since been universally acknowledged as one of the most important and influential stories ever published. Miller is arguably the greatest superhero writer/artist to work during this period, and Dark Knight is his undisputed masterpiece: the four-issue series rejuvenated Batman as DC's most popular character and in the process helped revitalize the comics industry. This splash page is to our minds the single most memorable image from the entire book and the greatest image from the decade ever to come to market -- as well as one of the handful of most desirable pieces of original comic art from any era to come to market. A perfect stand-alone image of Batman and Robin (Carrie Kelley, the first female, full-time Robin) soaring high above Gotham City, an icon symbolizing the entire storyline -- this one has everything going for it.
As demonstrated by the fact that we've only offered two Dark Knight panel pages previously -- and the fact that no splash page, much less a such an undeniably classic image, has never been offered at auction -- artwork from the famed series is much scarcer than anything else from the period. This gem has been locked away in a single collection since being purchased upon the series' original publication and is the definition of "fresh to market." And unlike many pages from the series, where differences between the original art and the published version are evident (as a result of Miller making changes on pasteovers), no changes were made to this artwork for publication, and the original contains no paste-ups or stats -- it's pure art, just the way it appeared in print.
Definitive is the only adequate description of this masterpiece, and as such, it was chosen to represent the entire time period in DC's recent 75 Years of DC Comics: The Art of Modern Mythmaking book, serving as the chapter heading for "The Dark Age: 1984-1998," and reproduced as a glorious color full-page image, leading off the chapter on page 556.
In 2005, Time magazine ranked The Dark Knight Returns as one of the top ten graphic novels ever created. As Alan Moore wrote about the series: "Beyond the imagery, themes, and essential romance of Dark Knight, Miller has also managed to shape the Batman into a true legend by introducing that element without which all true legends are incomplete and yet which for some reason hardly seems to exist in the world depicted in the average comic book, and that element is time... time has come to the Batman and the capstone that makes legends what they are has finally been fitted. In his engrossing story of a great man's final and greatest battle, Miller has managed to create something radiant which should hopefully illuminate things for the rest of the comic book field, casting a new light upon the problems which face all of us working within the industry and perhaps even guiding us towards some fresh solutions."
In short, this is one of the most important pieces of original comic book art Heritage has ever had the pleasure to offer.
This iconic masterpiece from "Hunt the Dark Knight" has an image area of 11.5" x 17.75", and aside from some very light paper aging in the image area and some passages of white-out, the art is in Excellent condition.

"I've always loved that drawing. Danced around my studio like a fool when I drew it. I hope it finds a good home." 
--Frank Miller

Miller, Frank:  Frank Miller (American, b. 1957): is a multi-talented cartoonist, writer, and film director, most celebrated for his work on the Marvel characters Daredevil, Elektra, and Wolverine, as well as on his own characters for the Dark Horse titles Hard Boiled, 300, and Sin City. In the late eighties, Miler became the first and foremost of a new breed of "noir" comic book storytellers, thanks to the tremendous popularity of his work on the industry-changing Batman: The Dark Knight Returns series. He also directed the film version of Will Eisner's The Spirit, and shared directing duties with Robert Rodriguez on Sin City, and produced the film 300.
Frank Miller, The Dark Knight #3 Splash Page

 



Note:  My recent post on Captain America is here.

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