Showing posts with label reading. Show all posts
Showing posts with label reading. Show all posts

Monday, April 8, 2024

My Entry in The New Yorker Cartoon Caption Contest #892

Tell me a story about The New Yorker Cartoon Caption Contest #892 from the issue of April 8, 2024. My caption is shown below. The drawing is by P. C. Vey.

"Five more minutes and I'll take you for a fly."




These captions were unrealistic:

"Calm down—we'll get to Sendak."
"But I'm tired of fantasy and science fiction."



April 27, 2024 Update:  The Finalists




May 5, 2024 Update:
  I voted for the caption from Burlington.



May 12, 2024 Update:  The Winner







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Monday, December 12, 2022

My Entry in The New Yorker Cartoon Caption Contest #831

This week, I could scarcely get through my set, let alone through The New Yorker Cartoon Caption Contest #831 from the issue of December 12, 2022. My caption is shown below. The drawing is by Liam Francis Walsh.

"You're not helping me to read the room."




These captions weren't ready for open mic night:

"I want to thank tonight's audience for not heckling me."
"You do know there's a cover charge?"
"I see my five minutes are up."
"I'm afraid there's a two-laugh minimum."
"Not even a heckle?"





 

January 1, 2023 Update:  The Finalists






January 14, 2023 Update:
  I voted for the first caption from Los Angeles.


January 16, 2023 Update
:  The Winner






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Tuesday, February 16, 2021

William Steig: The Horn Book Magazine Poster

After Maurice Sendak, the second artist asked to create a cover for a year's run of The Horn Book Magazine was William Steig. His cover had its premiere in the November-December 1986 issue. The magazine's name Horn Book always seemed to refer to Randolph Caldecott's hunting horns, but Steig has a new and amusing take on the title. A signed, limited edition poster of the cover was published as well, shown here.







March 5, 2021 Update:  The Horn Book Magazine is named for hornbooks, educational primers consisting of a single page covered by a transparent horn and held in a frame with a handle. Caldecott's hunting horns were a pun on this term, just as Steig's goat is.


Note:  Images of original art and published rarities by William Steig are desired for future blog posts here.






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Monday, February 15, 2021

Maurice Sendak: The Horn Book Magazine Poster

Traditionally, The Horn Book Magazine's cover featured an adaptation of an illustration by Randolph Caldecott showing three huntsmen on horseback blowing their—you guessed it!—horns.

https://www.abebooks.com...


Starting with the issue of November-December 1985, the magazine commissioned an annual cover illustration to run for each of six bimonthly issues. The first of these covers was by Maurice Sendak and it featured an image that included Caldecott himself sketching in the park, Caldecott's cat and the fiddle, and, for good measure, a Sendak Wild Thing. A poster of the cover was issued in a signed edition of 300. One of these posters was recently listed on AbeBooks.


Maurice Sendak
AbeBooks listing accessed February 14, 2021



The original art was offered last year through Christie's Private Sale:


Maurice Sendak
Christie's Private Sale


Note:  Christie's Private Sales don't retain price information, at least not any that I can locate. I'd like to hear from anyone who knows the asking price for this illustration and, if possible, whether it was sold.


Scans of original art by Maurice Sendak are eagerly sought for future blog posts.



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Friday, May 15, 2020

Claude Smith: Killed New Yorker Art

The title of a current eBay listing says quite a lot:  "Claude Smith Original Cartoon For The New Yorker...Accepted-Then Rejected." There's a word for New Yorker cartoons that are purchased by the magazine and subsequently returned to the artist without being published, and that word is killed. Killed New Yorker art is initially accepted and prepared for publication, but then someone in the editorial department has a change of heart. Claude Smith's 1969 drawing of two young boys unable to read a stop sign but willing to make an assumption about it comes with two alternate captions, one on a pencil rough. The eBay seller states that the rough bears the reworked caption, but I suspect it's the other way round.

Why was this gag killed? We can't know for sure, of course. Possibly it suffered its fate because it had preliterate children discuss the kind of language the magazine refused to publish at the time. Perhaps the boys' lopsided understanding of reading was too implausible. At any rate, here's a case study of a cartoon that was almost deemed good enough to run in the New Yorker. Would you have accepted it or rejected it? Or both?

"I don't know what it says, but I know one thing—it's a four letter word!"
Claude Smith
Killed New Yorker art


Verso

Kill notice included

"I can tell you one thing—it's a four letter word—and man! I stay clear of those!"
Claude Smith
Rough
The more polished caption is in the hand of cartoonist Lee Lorenz, who was to become the magazine's art editor in 1973. In 1969, he may simply have been helping his Connecticut neighbor rework a caption. Note how this caption leaves the funniest words for the end:
"I don't know what it says, but I know one thing—it's a four letter word!"



Claude Smith
eBay Listing Accessed May 14, 2020


Claude Smith
eBay Item Description 



August 29, 2020 Update:  Sold!


Note:
  At the time of posting, this artwork was still available on eBay. 


Attempted Bloggery remains on the lookout for scans or photos of original art by Claude Smith, whether killed or not.


Quick Links to the Attempted Bloggery Archives:

Claude Smith

Killed New Yorker Art

Attempted Bloggery's Killer Index


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Sunday, January 12, 2020

Danny Shanahan: A New Yorker Promotional Magnet

I have been subscribing to the New Yorker since before I set foot in high school, so I don't often receive mailings targeted at new subscribers. A colleague of mine who does receive such mailings, thinking I might for some reason be interested, surprised me with the gift of a promotional refrigerator magnet that was included in a subscription offer. It boasts "THE BEST WRITING ANYWHERE, EVERYWHERE" in all caps for those who think that's how the best writing looks. All kidding aside, I suppose it's really done so that the word EVERYWHERE may appear in capitals in the Irvin font like the magazine's logo.

The magnet is illustrated not with a well-crafted sentence or paragraph but with a wordless 2012 cartoon by Danny Shanahan showing a family reading at the beach. Who can fault the New Yorker for promoting its editorial content with a cartoon? Certainly not I. Finally, since no practitioner of fridge magnet design can leave well-enough alone, the cartoon does not appear as Mr. Shanahan intended, but with the superfluous addition of an orange sun overlapping the beach umbrella.

The New Yorker promotional magnet

The cartoon as Danny Shanahan intended it:
Danny Shanahan
The New Yorker, June 4, 2012, page 62


The cartoon as the New Yorker presented it:
Cartoon by Danny Shanahan

Here's a rough transcript of the conversation that ensued after I was given the magnet:

docnad:  Thank you so much. So, did you subscribe?

Colleague:  No. I already get New York magazine. It has lots of pictures.

docnad:  The New Yorker has pictures too.

Colleague:  It has cartoons. I like pictures.

And there you have it.

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