Showing posts with label police. Show all posts
Showing posts with label police. Show all posts

Saturday, November 22, 2025

Peter Arno: Not the Crosstown Bus

What cartoonist, one may ask, seems more at home drawing the inside of a police van than Peter Arno? A work of original art from a 1937 issue of the magazine College Humor was sold at auction on Thursday by Nate D. Sanders in L.A. It is the sale's second lot, offered right after the scouting drawing by Chas Addams we saw in yesterday's post.
"Am I to understand this is not the Forty-ninth Street crosstown 'bus?"
Peter Arno
Original art
College Humor, April 1937, p. 11


The caption written on the matte is in the hand of gallerist Barbara Nicholls to whom the work was consigned, with others, in 1985.
"Am I to understand this is not the Forty-ninth Street crosstown 'bus?"
Peter Arno
Matted original art
College Humor, April 1937, p. 11

With the matte opened up, we see Arno's caption written across the top. He planned to italicize the word not for emphasis and to hyphenate crosstown. He wrote out 49th Street with its numerals. He did not, though, have an apostrophe before bus. That punctuation must have originated with an editor keen to show that the word is a shortening of omnibus. The drawing is signed at the lower left with Arno's initials.
"Am I to understand this is not the Forty-ninth Street crosstown 'bus?"
Peter Arno
Original art
College Humor, April 1937, p. 11



The bidding started at $250. Four bids were placed and the art sold for $506 including the premium. If memory serves, that's well under half of its 1985 price.
Peter Arno
Nate D. Sanders auction listing of November 20, 2025



By some cosmic quirk of blogging, we've seen this cartoon here on the blog before. 
"Am I to understand this is not the Forty-ninth Street crosstown 'bus?"
Peter Arno
College Humor, April 1937, p. 11


"Am I to understand this is not the Forty-ninth Street crosstown 'bus?"
Peter Arno
Original art
College Humor, April 1937, p. 11


Here's how it appeared with two other cartoons in "Peter Arno's Side-Show," a two-page spread delighting readers of College Humor in April of 1937. None of these have ever been republished
"All right—I take the key, to to your hotel, go to the twelfth floor and walk down one flight, and go                                                        "—And then he assaulted me without so much as a 'Thank you'!"       
                        in your room and wait till you come—and then what do I do?"                                                                            "Am I to understand this is not the Forty-ninth Street crosstown 'bus?"
Peter Arno
College Humor, April 1937, pp. 10-11


The artwork was photographed by the Nicholls Gallery. It appeared on a contact sheet with other consigned or purchased work, nearly all of it Arno's.
"Am I to understand this is not the Forty-ninth Street crosstown 'bus?"




Note:  I wrote at length about the full contact sheet from the Nicholls Gallery here. You may survey this blog's collective posts on Peter Arno's work for College Humor here. There's nothing else like it on the internet. Trust me, I've looked.






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Friday, July 25, 2025

Law 'n Order at Last: W. B. Park Proposed New Yorker Cover Art

W. B. Park's art was never featured on the cover of The New Yorker magazine, but that doesn't mean he didn't try to get it there. My guess is that Park's illustration titled Law 'n Order at Last was a proposal for a New Yorker cover. One big clue is the dark green steel girder running down the left-hand border of the artwork, the strap that The New Yorker famously uses on pretty much all its covers since the very first one. The illustration shows a big city that has been transformed into a police state, with apartment buildings that are now cell blocks.



SWAT teams, FBI agents, the bomb squad, and police are all out in force. The uppermost road sign says No Left Turn. Get it?



W. B. Park's signature and handwritten title

That Cell Block awning address reads suspiciously like a date:  November 30, 2007.

Impassive faces may be seen behind the window bars. Park meant to convey something serious.


Verso

W. B. Park
eBay listing ended April 30, 2025

W. B. Park
eBay eBay item description






Note:  I do love to speculate, but I would never claim to know it all. If this artwork by W. B. Park was indeed published, I wish to hear form readers who can identify the where and when, or else the means, motive, and opportunity.



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Tuesday, July 8, 2025

Alan Dunn: The Uninformed Driver

Johnnycake Books, Inc., of Salisbury, Connecticut, offers a beautiful original New Yorker cartoon by Alan Dunn.

                                 "Unfortunately, I was waiting
until 'Unsafe at Any Speed' came out in paperback."

Alan Dunn
Original art
The New Yorker,
 April 23, 1966, p. 43

Unsafe at Any Speed:  The Designed-In Dangers of the American Automobile was consumer advocate Ralph Nader's 1965 critique of the automobile industry and its resistance to safety innovation. The book is particularly critical of the Chevrolet Corvair which Dunn has here rendered so elegantly. The artwork is from the collection of Richard Grossman, Nader's publisher.

Alan Dunn
ABAA listing accessed July 7, 2025




                                "Unfortunately, I was waiting
until 'Unsafe at Any Speed' came out in paperback."

Alan Dunn
The New Yorker, April 23, 1966, p. 43


                                 "Unfortunately, I was waiting
until 'Unsafe at Any Speed' came out in paperback."

Alan Dunn
Original art
The New Yorker,
 April 23, 1966, p. 43


With cartoons by Rowland B. Wilson and Alan Dunn

https://en.wikipedia.org/wiki/Unsafe_at_Any_Speed:_The_Designed-In_Dangers_of_the_American_Automobile



* * *


Meanwhile, Rowland B. Wilson takes us to a protest at the Headquarters of the United Nations in Turtle Bay:
"For goodness' sake, can't you                    
fix yourselves something from the freezer?"

Rowland B. Wilson
The New Yorker, April 23, 1966, p. 42




Note:  My grandfather drove a Corvair. It never rolled over.





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Wednesday, May 21, 2025

Michael Maslin: A Traffic Stop

An original New Yorker drawing by Michael Maslin was on the auction block yesterday in Rockville, Maryland. The cartoon brings us to a traffic stop in which a police officer has pulled over a produce truck driver. 


"Sorry, but I'm going to have to issue you a summons for
reckless grammar and driving without an apostrophe."
Michael Maslin
Original art
The New Yorker,
 September 7, 1987, p. 37
Mixed Company:  Cartoons by Michael Maslin, Fireside, 1990, p. 3


The artwork comes nicely framed and glazed:
"Sorry, but I'm going to have to issue you a summons for
reckless grammar and driving without an apostrophe."
Michael Maslin
Framed original art
The New Yorker,
 September 7, 1987, p. 
37
Mixed Company:  Cartoons by Michael Maslin, Fireside, 1990, p. 3

Michael Maslin's signature




Weschler's, the auction house, has misidentified the artist as Eric Maskin. Maskin, born in 1950, is really a Nobel Prize winning economist and mathematician who teaches at Harvard. His accomplishments are considerable but, in the last analysis, he does not draw cartoons for The New Yorker. There's always a chance, when the artist is incorrectly identified, that interested bidders might never be able to find the piece. Twelve hours before the sale, it seemed this might be the case. With an estimate of $50 to $100 the bidding was at an anemic $35:

Michael Maslin
Weschler's listing accessed May 19, 2025, twelve hours before the auction





Michael Maslin
Weschler's item description




Sold!
[End of Weschler's listing]


The art first appeared in the magazine in 1987 and subsequently has been reproduced on a number of products. It also appeared in Maslin's collection Mixed Company (Fireside, 1990).

"Sorry, but I'm going to have to issue you a summons for
reckless grammar and driving without an apostrophe."
Michael Maslin
The New Yorker, September 7, 1987, p. 
37
Mixed Company:  Cartoons by Michael Maslin, Fireside, 1990, p. 3

"Sorry, but I'm going to have to issue you a summons for
reckless grammar and driving without an apostrophe."
Michael Maslin
Original art
The New Yorker,
 September 7, 1987, p. 37
Mixed Company:  Cartoons by Michael Maslin, Fireside, 1990, p. 3

With a spot drawing by Judith Shahn and a cartoon by Michael Maslin


* * *

Spot of table and chair
Judith Shahn
The New Yorker, September 7, 1987, p. 36




Works by two New Yorker cartoonists were sold back-to-back in the auction, probably from the same consignor:


Note:  This blogger would be happy to post other examples of original art by Michael Maslin. Or Eric Maskin.



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Tuesday, March 4, 2025

The CartoonStock Cartoon Caption Contest No. 190

In the CartoonStock Caption Contest number 190, a police officer has pulled over a yellow convertible with a dog and a cat in the front seat and a smaller dog in the back. The dog with a red bandana is driving. The officer speaks.


The rules of the monthly cash prize contest have not changed (and neither has my description of them): Five dollars buys up to three entries. Real cash prizes are $500 for first place and $100 for each of five runners up. As of this writing, I've put $175 into the first thirty-five pay-to-play contests and this thirty-sixth challenge brings my total cash outlay up to $180. Having achieved runner-up status with two previous entries, I've collected $200 from CartoonStock, so I'm still playing with the house's money, thank goodness. In fact, so few contestants enter that the odds may generally be considered favorable even for us less-gifted caption writers. My three entries are shown belowThe cartoonist is Julia Suits.

"Whose idea was it to drive while watching cat videos?"
"I clocked that squirrel at 90."
"I know I left those keys in the drawer."





March 19, 2025 Update:  The Winner





The Judges Deliberate





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Tuesday, April 23, 2024

Jack Markow: On the Construction Site

Construction was always a part of New York City life. A century ago, in the Roaring Twenties, this was especially true. Jack Markow's 1928 cartoon celebrates the city's ongoing reinvention of itself. Was it possible, in that permissive era, for a wiseacre and a police officer to engage in conversation right in the middle of a construction site? It seems doubtful. Whatever the case, the interaction of the two figures is wonderfully staged by the artist. The charcoal drawing was reproduced on page 29 of The Art in Cartooning (1975). The word but handwritten on the matte does not appear in the published caption.

"Pardon me, officer, [but] can you tell me where they moved Hudson Street?"
Jack Markow
Original art
The New Yorker, March 17, 1928, p. 30

"Pardon me, officer, [but] can you tell me where they moved Hudson Street?"
Jack Markow
Original art
The New Yorker, March 17, 1928, p. 30

Jack Markow's signature

Caption on matte with a superfluous but







Jack Markow
Auctions at Showplace:  New York City Estate Auction held March 3, 2024



"Pardon me, officer, can you tell me where they moved Hudson Street?"
Jack Markow
The New Yorker, March 17, 1928, p. 30

"Pardon me, officer, [but] can you tell me where they moved Hudson Street?"
Jack Markow
Original art
The New Yorker, March 17, 1928, p. 30




A cartoon by Jack Markow and an illustration by V. E.

Illustration by V. E. 
The New Yorker, March 17, 1928, p. 31


Note:  Who then is V.E? Anybody?





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