Wednesday, November 5, 2025

Charles Addams: Witch in the Kitchen

In yesterday's Signature Illustration Art sale at Heritage Auctions, a Charles Addams original cartoon from 1937 was one of four works offered from the Irvin Greif Collection of New Yorker Art. Fourteen days earlier, it had already achieved an online opening bid of $10,000. The official estimate was $20,000 and up. How high would it go?



"She shows up every Halloween"
Charles Addams
Original art
The New Yorker, October 30, 1937, p. 25

Not surprisingly, the Halloween theme seems tailor-made for Addams. The composition demonstrates a competent two-point perspective. It reads from left to right; all the figures look at the witch, directing our eyes across the cartoon. The chefs wear white while darker clothing first highlights the speaker and his coworker, then the witch and her cauldron.

"She shows up every Halloween"
Charles Addams
Original framed art
The New Yorker, October 30, 1937, p. 25

Verso

Charles Addams
Heritage Auctions listing accessed October 20, 2025
The auction house's description attempts to cast this witch as an "archetype" for Granny Frump of the Addams Family. I think that's a stretch—she's just a witch. 



Two weeks have passed and now the bidding is over:





Here's how the cartoon first appeared in the pages of New Yorker for Halloween 1937.

"She shows up every Halloween"
Charles Addams
The New Yorker, October 30, 1937, p. 25


"She shows up every Halloween"
Charles Addams
Original art
The New Yorker, October 30, 1937, p. 25

With cartoons by Gardner Rea and Charles Addams



* * *


The Gardner Rea cartoon on the left is in a clean, linear style with an emphasis on contours. It contrasts nicely with the deep tones of the Addams cartoon on the facing page.
"You may inform your readers, gentlemen,
that despite my sweepstakes winnings I shall
continue in my present occupation."

Gardner Rea
The New Yorker, October 30, 1937, p. 24




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