Friday, April 19, 2013

National Library Week: Ronald Searle Again

For the second year in a row, I've had more than one post about Ronald Searle during National Library Week. Go figure. Now that we know each other, I'm going to presume there's no need to explain myself here.

If there's one thing I like better than a Searle cat, it's a literary Searle cat with a book collection. Happy reading and happy National Library Week!

Ronald Searle
Slightly Foxed—But Still Desirable, London: Souvenir Press Ltd., 1989,
Limited Edition 10/150 with an original cat cartoon

Sold Prior to June 7, 2012


Ronald Searle
Tail-edge shaved

Slightly Foxed—But Still Desirable, London: Souvenir Press Ltd., 1989, Page 35



Ronald Searle
Totally illiterate cat discovering the advantage of literature.

Postcard issued by the Stephen Green Press, 1975, promoting
the American edition of More Cats






Note:  Somewhere out there are nine other copies of the limited edition of Slightly Foxed—But Still Desirable which contain original Searle drawings. Please be a dear and check your rare book collection to see if you possess one of them. I would love to add scans or photos of the original cat cartoons from copies 1/150 through 9/150. Nothing overly ambitious on my part...

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Thursday, April 18, 2013

National Library Week: Whitney Darrow, Jr.

My one-man celebration of  National Library Week continues. As I revealed yesterday, I am drawn to depictions of private libraries rather than public ones, which is another way of saying I'm using the weeklong celebration as an excuse to do what I would probably be doing anyway. We've been together a long time now, nearly 700 blog posts, and I am now giving away a few of my blogging secrets. Don't go telling everyone, please.

Here's another secret: I love sexist cartoons. Not all of them, of course, but choice drawings by the likes of Peter Arno and Whitney Darrow, Jr. seem funnier to me than anything published in our own politically correct times. Here's one of my favorites. I'm not going to apologize for it. Happy National Library Week!

"I don't know what it is, Mr. Mardley, but there's
something about this room that gives me the willies."
Whitney Darrow, Jr.,
The New Yorker, February 27, 1954, page 34


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Wednesday, April 17, 2013

National Library Week: Ronald Searle

What's that? It's National Library Week already?
Last year for National Library Week I attempted to get together a nice selection of artists, then found I had more material by Ronald Searle than anyone else. This year I'm putting together a much smaller selection, but to be consistent I'll start with some Searle artwork anyway. Look, it's what I do, and I make no pretense of objectivity in any of my choices.

This photograph of original artwork from the over-hyphenated Wilhelm-Busch-Museum was given the reasonable but incorrect title Onomatopoeia on the microblogging platform on which it appeared last September. The author and photographer was someone who preferred to be known by the tongue-twisting name MissMuthichcreamhilled and who has since vanished without a trace. Maybe that's a good thing. What's not good is that the image also has disappeared from the site that was hosting it, one of the more annoying things about the internet. Fortunately I saved a copy for you. You're welcome.

The cartoon is set in a personal library, which actually is the preferred subject for all my posts during National Library Week, even though that's not what we're supposed to be celebrating. Hey, it's my blog, all right?

The drawing, which actually goes by the title Vroomp!!! Crrakk!! Zok!!!—you know, some days I marvel at what I actually end up putting out there for general consumption—was reproduced in Searle's 1968 collection The Square Egg. He or his wife Monica sometimes set aside drawings of his that contained adorable mice and this became part of her personal collection. The Searles later donated their personal holdings to the Wilhelm-Busch-Museum in Hannover. Do you see how we've come full circle here?

Oh, did I forget to mention that this drawing is delightful?








Onomatopoeia by Ronald Searle 
zu sehen im Wilhelm-Busch-Museum Hannover
Photo and post on mobypicture.com by MissMuthichcreamhilled


OK, that's how MissMuthichcreamhilled did it. This is how I would do it:

Vroomp!!! Crrakk!! Zok!!! (1966)
Ronald Searle,
Pen and wash, 35.2 x 49.1 Collection Monica Searle
Le Figaro Littéraire, October 20, 1966
and
The Square Egg & The Vicious Circle (1968), Page 15
Ronald Searle (1973) Cabinet des Estampes, Bibliotheque Nationale, Paris, Catalogue number 153
Searle & Searle (2001), Catalogue number 16, page 39






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Tuesday, April 16, 2013

Snoopy and Woodstock

Who wouldn't enjoy living with this classic little ink drawing by Charles M. Schulz showing a restful Snoopy with Woodstock standing alongside his doghouse? I've shown similar drawings from the Butternut Bread advertising campaign in my longest post ever here, Indeed, this Butternut post is so dauntingly large that after almost two years I'm not close to finishing it. It also happens to be my most popular post, having been viewed more than 11,000 times, incomplete though it remains.

Anyway, there's no definite evidence right now that this drawing is from that advertising campaign; the seller, Bauman Rare Books, suggests that it could also have been created for a book jacket. For the time being, then, I'll give this image a separate home here, although I reserve the right to add it to the larger post if new information surfaces.

I believe few dealers would ask $8,000 for this although it is a pretty good size. Bauman Rare Books continues to get very high prices for its offerings, an advantage to having at the ready a clientele that is both discriminating and well off.

Charles M. Schulz, Snoopy and Woodstock
Sold by Bauman Rare Books for $8,000


Charles M. Schulz, Snoopy and Woodstock
Sold by Bauman Rare Books for $8,000

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Monday, April 15, 2013

My Entry in The New Yorker Cartoon Caption Contest #376

Here then is my second entry ever in The New Yorker's Cartoon Caption Contest. This is contest #376 for April 15, 2013. I seem to be appropriating the late Roger Ebert's practice of publishing his own entries in the caption contest. Unfortunately, I'm not as clever as he was, but I'll give it a go for a while just the same. The cartoon is by Tom Toro.


"That's funny.  I'm of two minds about this myself."


April 22, 2013 Update:  The Finalists



May 6, 2013 Update:  The Winning Caption

Note:  Last week's entry can be found here.

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Sunday, April 14, 2013

Tax Day

In the United States, federal income tax needs to be filed by tomorrow, April 15. Back in 1937 when this New Yorker cover by Constantin Alajálov was published, the income tax was due on March 15. As you can see, at the time people were as conflicted as they are today about having to pay it.


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Saturday, April 13, 2013

My Kind of Fortune

I was lucky enough to receive this fortune last weekend. While I realize it's nothing personal, I'd still like to imagine some fortune cookie writer is giving a thumbs-up to my blog.

"Your wisdom is a treasure for all time."

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Friday, April 12, 2013

Frank Brangwyn's Old Salts

Sir Frank Brangwyn's black and white oil paint story illustration for "Captain Dick and Captain Jacka" was sold twice at Illustration House on December 6, 2008 (Lot 33) and on June 25, 2011 (Lot 65). It was published as a color illustration, improbably, in the December 1898 issue of The Graphic.

Frank Brangwyn, Illustration from "Captain Dick and Captain Jacka"
http://www.illustration-house.com/exhib/a43/a43pages/a43_065.html

http://www.illustrationhouse.com/current/a38/a38pages/a38_033.html
The Back of the Frame
Frank Brangwyn, Framed Illustration from "Captain Dick and Captain Jacka"
Frank Brangwyn, Captain Dick and Captain Jacka
Chromolithograph
Image added April 10, 2017


This painting had already been sold in Chicago earlier in 2008 as "Old Salts," which is the title in the plate on the frame.
Frank Brangwyn, Illustration from "Captain Dick and Captain Jacka"

F.B. '97

"Old Salts"
Sir Frank Brangwyn
1867-1956


http://www.liveauctioneers.com/item/5176487



http://www.ebay.com.sg/itm/1898-GRAPHIC-Hugh-Thomson-Brock-Brangwyn-H-G-Wells-/260279381725




http://www.worthpoint.com/worthopedia/1898-graphic-xmas-g-wells-frank-160493246

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Thursday, April 11, 2013

Ronald Searle's Painting Pig


Ronald Searle, Ausstellung Ronald Searle 11.Oktober - 10.November 1973, Galerie Wolfgang Gurlitt, München. Original Art for Poster. Private Collection.

For a while in the 1960's, Ronald Searle was represented regularly by several galleries in different European cities. Galerie La Pochade showed his work in Paris starting in 1966. The same year, Wolfgang Gurlitt started showing his work in Linz at his Neue Galerie, and the following year in Munich at Galerie Wolfgang Gurlitt. According to John Locke, Searle's American agent at the time, his relationship with the Galerie La Pochade ended in a dispute over some $20,000 they owed him. This would have been around 1971 or later.

The Gurlitt gallery published a catalogue of Searle's prints in 1971 and it remains the only authoritative source on Searle's lithographs from 1966 to 1971. They were still exhibiting his work in  the fall of 1973 when this extraordinary ink illustration was created for an exhibition poster. I believe this is unusual. Typically Searle would have taken a contemporary image he was already working on with his lithographer, usually Michel Cassé in Paris. When the lithograph was completed, he would create a promotional poster version, sometimes changing the orientation and always adding his unmistakeable lettering. The poster might be issued in an edition of anywhere from 25 to 100, generally unsigned and unnumbered, although on occasion in a large run the first 25 might be signed and numbered, and sometimes there were an additional ten artist's proofs identified with roman numerals. This time, though, he created an original drawing specifically for the exhibition poster and, as usual, it is extraordinary.




Ronald Searle, Ausstellung Ronald Searle 11.Oktober - 10.November 1973, Galerie Wolfgang Gurlitt, München. Exhibition Poster.
http://ronaldsearle.blogspot.com/2013/03/pigs.html


Ronald Searle, Ausstellung Ronald Searle 11.Oktober - 10.November 1973, Galerie Wolfgang Gurlitt, München. Original Art for Poster. Private Collection.




Note:  Perpetua, Matt Jones's indispensable Ronald Searle tribute blog, recently published a very exhaustive post on Searle's pigs. Go the whole hog and be sure not to miss it.

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Wednesday, April 10, 2013

Edward Gorey's Little Black Dress

Edward Gorey, man of fashion, spells it all out in black for a 2000 show at the Fashion Institute of Technology.
 
Edward Gorey, "The Little Black Dress and Other Signs of Status" at F.I.T., 
The New Yorker, March 27, 2000, Page 19
The New Yorker, March 27, 2000, Page 18
Edward Gorey, "The Little Black Dress and Other Signs of Status" at F.I.T., 
The New Yorker, March 27, 2000, Page 19

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