Showing posts with label More Cats. Show all posts
Showing posts with label More Cats. Show all posts

Friday, March 3, 2023

Ronald Searle: A Catscape for the Cassés

Ronald Searle was born on this day in 1920. The prolific cartoonist was also an active printmaker; his long-time lithographer and friend was Michel Cassé of Paris. In September of 1978, Searle gave Michel and his wife Carmen a watercolor featuring a group of eleven fanciful cats. The drawing has never been published.


The cats occupy a plane patterned like a tablecloth or tiled floor. One of them stands on two legs with at least one hand improbably inserted in a pocket. A crescent moon hangs low in the sky.


Ronald Searle's signature


"pour Carmen
& Michel
Love
Ronald
Septembre 1978"



The artwork turned up on eBay last week. The seller was able to provided a thorough history and provenance.

Ronald Searle
eBay item description


Best offer of 2200 GBP not accepted.
Seller counteroffer of 2500 GBP accepted.


Searle himself might not have called this drawing a "catscape." He used the title only for a series of four cat lithographs published with Cassé in 1967, the year he published his seminal book Searle's Cats. These prints, particularly Catscape I and III, seem to be direct predecessors of the drawing Searle presented to the Cassés. Catscape I was issued in an edition of only 50 plus V artist's proofs.
Catscape I
No. 13/50, 1967
Ronald Searle

Ronald Searle
Euvrard & Fabre, Paris, June 19, 2020, Lot 252





Gurlitt (1971) No. 7




Catscape II is a different kind of grouping, more of an assemblage than a landscape, although the large cat's back does define a ground line of sorts.
Catscape II
No. 11/99, 1967
Ronald Searle

Anderson and Garland
Ronald Searle
Catscape II



Gurlitt (1971) No. 15



A drawing similar to Catscape II graces the title page of Searle's Cats (1967).
Searle's Cats (1967 UK edition)
Title page



Searle's Cats (1968 US edition)
Title page

https://www.abebooks.com/first-edition/SEARLES-CATS-SEARLE-Ronald-Stephen-Greene/13805997369/bd


The French edition used that same illustration on the cover, with color added.
De drôles de Chats (1967)



The horizontal Catscape III is reoriented vertically to accommodate text for the Galerie La Pochade exhibition poster.
Catscape III variant
Lithographic poster for Galerie La Pochade
Edition of 100 unsigned proofs, 1967
Ronald Searle





Gurlitt (1971) Nos. 16 and 17





Catscape IV piles the cats on top of each other to a third level, but is otherwise not entirely unlike Catscape II. The edition size is now an impressive 150, but Searle would come to settle on 99 as his standard.
Catscape IV
Hors commerce aside from the edition of 150 plus XV artist's proofs, 1967
Ronald Searle





Ronald Searle
Catscape IV
Euvrard & Fabre, Paris, June 19, 2020, Lot 255



Gurlitt (1971) No. 19




Eight years later we find the first UK edition of More Cats (1975) has a similar vibe on its cover. Searle has refined his cats considerably, but he is still finding ways to fill space on a page with them in all their variety.


Displaced Persons is an exceptional work from the same year as the Cassé drawing. The cats, by 1978 at least, have a horizon line to fix them on a plane. That plane is tiled or patterned in the Cassé watercolor, but barren and endless here. The title makes it clear that Searle, even when drawing cats, has always been thinking about people.
Displaced Persons, 1978, postcard
Ronald Searle



A detail scanned from a page of the Big Fat Cat Book gives us a better idea than the postcard of Searle's formidable technique.
Displaced Persons [detail, 1978]
Ronald Searle's Big Fat Cat Book (1982)




Searle apparently abandoned the term catscape shortly after coming up with it. It still seems useful, though, for describing one type of drawing he excelled in: his cartoon cats covering either an undefined flat surface or a plane with a heavy horizon line. In an undated but clearly later drawing, Searle once again avoids using his invented word catscape in the title and settles for the rather bland Landscape with Figures. By this time, his cats have evolved in form once again, but they remain anything but bland.

Landscape with Figures
Ronald Searle
Collection of Robert L. and Lydia Forbes


Ronald Searle
Christie's, July 5, 2006, Lot 1083








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Wednesday, August 31, 2022

Ronald Searle: Idyll

Ronald Searle's Idyll (1973) is a sweet yet somewhat mystifying evocation of spring. His cats were generally popular and, to his frustration, sold lithographs far better than did his non-feline satirical work. Here one of his delightful cats prances about outdoors piping music. Add to that a few dozen unappreciative birds, many of them nesting, and a single reticent pig, and you have—just what, exactly? You have an idyll without an audience.

Idyll
Ronald Searle
Lithograph in colors
No. 47/99, 1973

Idyll
Ronald Searle
Lithograph in colors
No. 47/99, 1973

Ronald Searle's signature


Ronald Searle
Auktionshaus Mehlis GmbH listing accessed August 9, 2022
August 27, 2022, lot 4075


Sold! The sale price, with an English translation:



Idyll was included in More Cats (1975), shown here (but not in the book) alongside They're All Against Me, another lithograph:







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Thursday, January 23, 2020

Ronald Searle: Nobody Loves Me

Ronald Searle's 1974 lithograph Nobody Loves Me is surely one of his signature lithographic images. It depicts a lonely and isolated cat high up on a precarious perch. It was first collected in More Cats (1975).
Ronald Searle
Nobody Loves Me
Edition of 99, 1974




[January 17, 2022 Update:  A hand-colored épreuve d'artiste, or artist's proof, made its way onto a 1978 postcard.]
Ronald Searle
Nobody Loves Me
Postcard of hand-colored épreuve d'artiste aside from the edition of 99, 1974

Image added January 17, 2022


Postcard verso, 1978
Image added January 17, 2022



In 2005, Searle published The Predatory Bite of the Steel Nib in a limited edition of 296 copies. One of his sketchbook drawings reproduced there reveals something of the germination of the lithograph. In this early iteration of the image the unbalanced column is fully recognizable. The plain is not empty but filled with dogs and the cat is not cowering in solitude but delivering a fiery oration to the assembly. Searle plays with two written titles:  Top Dog and La Gloire [Glory].
Ronald Searle
Top Dog/la gloire
The Predatory Bite of the Steel Nib:  The Scrapbook Drawings of Ronald Searle

Predatory Parrot Press, 2005 





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Saturday, January 4, 2020

Ronald Searle: They're All Against Me

In 1975 Ronald Searle adapted his New Yorker cover of February 17, 1973 into a lithograph entitled They're All Against Me. Searle had no choice but to execute the magazine cover as a vertical composition, but the lithograph allowed him to rethink the placement of the fish-loving cat among the many desserts. The result is a horizontal composition that conveys the same idea as the bold cover in a very different way. Even the expressions on the faces of the cats are markedly different, a sly smile versus a disappointed frown. It works both ways. For his collection More Cats (1975), which has its pages in what we now call the landscape orientation, Searle chose to reproduce the lithograph; in fact, it may have been created in part for this purpose.
Ronald Searle
The New Yorker, February 17, 1973


Ronald Searle
They're All Against Me
Hors commerce
aside from the edition of 99, 1975





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Friday, April 19, 2013

National Library Week: Ronald Searle Again

For the second year in a row, I've had more than one post about Ronald Searle during National Library Week. Go figure. Now that we know each other, I'm going to presume there's no need to explain myself here.

If there's one thing I like better than a Searle cat, it's a literary Searle cat with a book collection. Happy reading and happy National Library Week!

Ronald Searle
Slightly Foxed—But Still Desirable, London: Souvenir Press Ltd., 1989,
Limited Edition 10/150 with an original cat cartoon

Sold Prior to June 7, 2012


Ronald Searle
Tail-edge shaved

Slightly Foxed—But Still Desirable, London: Souvenir Press Ltd., 1989, Page 35



Ronald Searle
Totally illiterate cat discovering the advantage of literature.

Postcard issued by the Stephen Green Press, 1975, promoting
the American edition of More Cats






Note:  Somewhere out there are nine other copies of the limited edition of Slightly Foxed—But Still Desirable which contain original Searle drawings. Please be a dear and check your rare book collection to see if you possess one of them. I would love to add scans or photos of the original cat cartoons from copies 1/150 through 9/150. Nothing overly ambitious on my part...

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