Showing posts with label Shakespeare. Show all posts
Showing posts with label Shakespeare. Show all posts

Tuesday, September 9, 2025

Ilonka Karasz: Alas, Poor Yorker

Alas, poor Yorick! I knew him, Horatio—a fellow
of infinite jest, of most excellent fancy.
"Hamlet," V.i



The New Yorker artist Ilonka Karasz (1896-1981) created extraordinary covers for the magazine from its first year in 1925 through its forty-eighth in 1973. While her art adorned the magazine's cover one-hundred eighty-six times, it is unusual to find a piece by her that is actually about The New Yorker.


Such a work was offered on eBay in 2017, an illustration that simulated the effect of flipping through the pages of the magazine. Familiar sections are visible: "Profiles," "Goings On About Town," "Tables for Two." Three writers are referenced by surname: Emily Hahn, John O'Hara, and Sally Benson. The cover of the fictitious issue is about the theatre with fancy dress hats, a showgirl, and a pair of eyeglasses. The title of the piece, Alas, Poor Yorker, is also a tongue-in-cheek theatrical reference.



The art is dated May 1947 and appears to have been created for a specific purpose. My conjecture is that it could have been printed as an invitation to a party for the writers or editorial staff of the magazine.




Ilonka Karasz
eBay listing ended May 14, 2017


Ilonka Karasz
eBay item description

Ilonka Karasz
eBay bid history
The last bidder gets it, but there's not a lot of enthusiasm here.







Note:  I would appreciate hearing from anyone who knows anything about this original illustration by Ilonka Karasz.




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Friday, July 18, 2025

Thomas Nast: Enter the Elephant

Among his many accomplishments, cartoonist Thomas Nast was largely responsible for establishing the elephant as the symbol of the Republican Party. He first introduced a pachyderm labeled "The Republican Vote" in a Harper's Weekly cartoon from the November 7, 1874, issue. The parable of "The Ass in the Lion's Skin" is from Aesop, not Shakespeare.

The Third-Term Panic.
"An Ass, having put on the Lion's skin, roamed about in the Forest, and amused himself by frightening all the foolish Animals he met with in his wanderings."—Shakspeare or Bacon.

Thomas Nast
Harper's Weekly, November 7, 1874, p. 912


Two weeks later, he revisited the idea, showing the hapless Republican elephant "Caught in a Trap—The Result of the Third-Term Hoax." Nast, a Republican, was reacting in both cartoons to unfounded speculation that Ulysses S. Grant would run for an unprecedented third presidential term in 1876. Argosy Book Store has a copy of the November 21 page in its inventory.

Caught in a Trap—The Result of the Third-Term Hoax.
Thomas Nast
Harpers Weekly, November 21, 1874, p. 960




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Sunday, July 6, 2025

Joe Dator: Good News

Recently, New Yorker cartoonist Joe Dator listed a number of his original drawings on the Big Cartel website. One of these was published in April of 2020, the month after the COVID-19 pandemic was declared by the World Health Organization. It draws an interesting parallel with a plague four centuries earlier.

"Good news—Shakespeare is using this time to write 'King Lear,'
so we'll have more stuff to binge soon."

Joe Dator
Original art
The New Yorker, April 27, 2020, p. 17




Following its style guide, the magazine added quotation marks in the caption around the title of the play.

Joe Dator
Big Cartel listing accessed June 29, 2025





This drawing, like all of Dator's Big Cartel drawings, was also listed on eBay, where we now see that it has been sold.




Note:  Did Shakespeare really write "King Lear" while London was in lockdown from the bubonic plague? Could be. The Guardian covered the topic here the month before Joe Dator's cartoon appeared in The New Yorker.




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Tuesday, August 6, 2024

Peter Arno Illustrates Munro Leaf Condensed Classics in The American Magazine

They're called "streamlined samples of the world's best stories," and they appeared in The American Magazine over twenty-one installments from December 1939 to September 1941. They're humorous rehashings of classic literary works that, because they each appeared on a single magazine page, aren't quite substitutes for reading one's full high school english assignments. The celebrated author of these condensed classics is Munro Leaf, who created Ferdinand the Bull. The celebrated illustrator is Peter Arno, who needs no introduction here.


Two weeks ago I speculated that a couple of original Arno illustrations from, apparently, The American Magazine—they were Ivanhoe and Cyrano de Bergerac—might be related to a page I once posted of an abbreviated version of Defoe's Robinson Crusoe. I went on to suggest that they might also be related to four Arno illustrations of "Classics" from his 1944 collection Man in the Shower. I figured it might well take ages to track everything down.


Yet I heard on that very day from Jeff Nelson, one of those contributors who somehow provides me with what I need even when I don't know what I need. Once upon a time, it seems, he had scanned what is likely the entire run of this nearly impossible-to-find series and would I care to have a look-see? Yes, please.


And just like that, here they are—all of them, most probably. I have presented Jeff's scans in chronological order adding original art from the archives when available, and including four of the illustrations as they were reproduced in Man in the Shower. Jeff didn't scan the full text of Robinson Crusoe, but fortunately that's the one page I have available in the archives. So here it is, a post I thought could never be done just two weeks ago.

Romeo and Juliet, December 1939

The Classics:  II. Romeo and Juliet
Peter Arno's Man in the Shower (New York: Simon & Schuster, 1944, London: Duckworth, 1976)



The Three Musketeers, January 1940

The Classics:  I. The Three Musketeers
Peter Arno's Man in the Shower (New York: Simon & Schuster, 1944, London: Duckworth, 1976)


Ivanhoe, February 1940

Ivanhoe
Peter Arno
Original art
The American Magazine
February 1940, p. 80


Rip Van Winkle, March 1940

Robinson Crusoe, April 1940

"There were some wild goats around, but you can't make a wild goat draw to an inside straight." 
—Munro Leaf
Peter Arno
                             Robinson Crusoe, April 1940, p. 60

Don Quixote, May 1940

The Arabian Nights, June 1940

Macbeth, July 1940

The Classics:  III. Macbeth
Peter Arno's Man in the Shower (New York: Simon & Schuster, 1944, London: Duckworth, 1976)

The Count of Monte Cristo, August 1940

Treasure Island, September 1940

Silas Marner, October 1940

Lorna Doone, November 1940

A Tale of Two Cities, January 1941

The Virginian, February 1941

The House of the Seven Gables, March 1941

Hamlet, April 1941

The Strange Case of Dr. Jekyll and Mr. Hyde, May 1941

The Classics:  IV. Dr. Jekyll and Mr. Hyde
Peter Arno's Man in the Shower (New York: Simon & Schuster, 1944, London: Duckworth, 1976)


Moby Dick, June 1941

Cyrano de Bergerac, July 1941

Cyrano de Bergerac, 
Peter Arno
Original art
The American Magazine, July 1941, p. 52


The Legend of Sleepy Hollow, August 1941

Captains Courageous, September 1941






Note:  My thanks to Jeff Nelson, without whom Munro Leaf and Peter Arno's collaboration almost eighty-five years ago might have remained lost to posterity.

I'm so glad I could include two of the original illustrations. Where then are the nineteen Arno originals I did not get to post here? As depictions of well-known literary classics, I'd think they're quite desirable. My guess is they're mostly hidden away in private collections. If there's one of these that happens to be in your collection, why not get in touch with me and share a good photograph? Come on, people, Jeff can't do everything.


The Classics:  I. The Three Musketeers
II. 
Romeo and Juliet
Peter Arno's Man in the Shower (New York: Simon & Schuster, 1944, London: Duckworth, 1976)

The Classics:  III. Macbeth
IV. 
Dr. Jekyll and Mr. Hyde
Peter Arno's Man in the Shower (New York: Simon & Schuster, 1944, London: Duckworth, 1976)




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