Showing posts with label J. Walter Thompson. Show all posts
Showing posts with label J. Walter Thompson. Show all posts

Tuesday, September 1, 2026

William Steig: National Shoe Institute Copper Tray by Bernäd Creations

In 2023, the Charles Addams memorabilia specialist Joel Jacobus informed us here of a series of advertisements on copper trays promoting Cole of California swimwear. The trays were manufactured by Bernäd Creations with cartoons by The New Yorker's Addams, Sam Cobean, and Syd Hoff. The trays themselves are undated, but the Hoff example was specifically mentioned in a 1951 newspaper article. 

This year, Joel informed me of another vintage advertising tray he came upon featuring art by New Yorker cartoonist William Steig. The client is the National Shoe Institute and there is only one tray design known thus far. The manufacturer is again Bernäd Creations, who used Steig illustrations on other cartoon trays and cigarette boxes for commercial sale to the general public, but these decidedly were not advertising. 

Joel notes that the shoe institute tray appears to be from approximately the same time period as the Cole of California cartoon trays. "So far," he writes, "I can't find any other artists associated with it. The Steig image is of a man lying in a giant shoe with the caption, 'Can’t I just stay here tonight?'" Below that is the copy "National Shoe Institute.”

Joel continues:

The first mention of The National Shoe Institute that I can find is from 1948 in the New York Times. There were National Shoe Fairs in Chicago from at least 1938 through 1968. 

He further speculates that this tray "might have been a promotional item at the National Shoe Fair." Steig's illustration appeared in his book The Rejected Lovers, which sets the date of the tray to approximately 1951. (That's the same year as the newspaper piece noting the Hoff tray.)

The Steig copper tray is green and is currently listed on eBay:






William Steig
National Shoe Institute Copper Tray

eBay listing accessed August 31, 2026


William Steig
National Shoe Institute Copper Tray

eBay item description



The New York Times Magazine excerpted nine of the Steig book's drawings in its October 14, 1951 Sunday issue, the week prior to its publication. Under the title "On Man's Misery—Love," an uncredited author writes, "The hero of the work is man at his most pitiful. The villain is woman, who seems to combine the features of Goldilocks, a six-foot chorus girl and Lizzie Borden." 


"On Man's Misery—Love"
Excerpts from The Rejected Lovers by William Steig
The New York Times Magazine, Sunday, October 14, 1951

https://timesmachine.nytimes.com/timesmachine/1951/10/14/issue.html






Note:  My thanks as always to Joel Jacobus for finding this rare tray, for recognizing its uniqueness, and for feeling compelled to research the National Shoe Institute just as thoroughly as he formerly researched Bernäd Creations and Cole of California. Hats off to you, Joel, and shoes too.

The archives of Duke University libraries have a campus promotion from the National Shoe Institute for 1949 which identifies the advertising agency as J. Walter Thompson.

I would so appreciate hearing from anyone with more information about this seemingly small advertising campaign. This might include other cartoon copper trays from the promotion with drawings by William Steig or perhaps other cartoonists. Other advertising campaigns that appeared on Bernäd trays would also be of interest. 






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Sunday, May 15, 2016

New Yorker Cartoonists for Libby's Gentle Press Tomato Juice

We all love a good print ad, but the fourteenth Art Directors Annual of Advertising Arts from 1935 doesn't quite get it right. It diligently collects artwork exhibited at the Art Directors Club in the spring of 1935, but the artwork is presented devoid of advertising copy making it difficult to discern the full context.

Peter Arno's contribution shows several generations of a family crowded into an opera box. The caption is not supplied and we are left to wonder exactly how this works as an advertisement for Libby's. Perhaps the matron is alarmed that the bar won't have enough Libby's gentle press tomato juice available for all at the intermission.


Peter Arno
Libby's advertising art


Well, here's the color version of the actual ad, as it appeared in 1934 in the Saturday Evening Post:
"Heavens, Horatio! I forgot to order that case of gentle press Tomato Juice!"
Peter Arno
Advertisement for Libby's gentle press tomato juice
The Saturday Evening Post, 1934
Image added August 12, 2023



The ad also appeared in The New Yorker in black and white. For the sake of context, perhaps it should have appeared in the Art Directors Annual this way as well:
"Heavens, Horatio! I forgot to order that case of gentle press Tomato Juice!"
Peter Arno
Advertisement for Libby's gentle press tomato juice
The New Yorker, December 8, 1934, page 101


The same page also includes advertising art by Syd Hoff for the very same client—Libby's, advertising agency—J. Walter Thompson, and art director—Charles R. Prilic. Again, we aren't given the caption or the ad copy, but one can guess that the finicky boarder's rejecting the run-of-the-mill nourishment will result in the maid running out for some delightful Libby's gentle press tomato juice instead.
Syd Hoff
Libby's advertising art

Again, the actual ad was published in the New Yorker:
"He says he wants to start with gentle press tomato juice every day!"
Syd Hoff
Advertisement for Libby's gentle press tomato juice
The New Yorker, February 2, 1935, page 64



Other first-rate New Yorker cartoonists also contributed to the campaign, including Otto Soglow, William Steig, and James Thurber. Not too shabby, right?

William Steig demonstrates how to put a servant to good use:
"...And Parkins, bring me a tall one of gentle press tomato juice."
William Steig
Advertisement for Libby's gentle press tomato juice

The Saturday Evening Post, October 13, 1934

It was simultaneously published in the New Yorker:
"...And Parkins, bring me a tall one of gentle press tomato juice."
William Steig
Advertisement for Libby's gentle press tomato juice

The New Yorker, October 13, 1934, page 85
http://archives.newyorker.com/?iid=17935&crd=0&searchKey=gentle%20press#folio=084




James Thurber addresses the thorny problem of How much Libby's gentle press tomato juice is too much?
"Desist, Oswald! —three is a sufficiency!"
James Thurber
Advertisement for Libby's gentle press tomato juice
The Saturday Evening Post, April 6, 1935

There is also a black and white version from the New Yorker:
"Desist, Oswald! —three is a sufficiency!"
James Thurber
Black-and-white advertisement for Libby's gentle press tomato juice

The New Yorker, September 14, 1935, page 75

Finally, Otto Soglow demonstrates how a top notch beverage can disarm even royalty.
"Hey nonny!"
Otto Soglow
Advertisement for Libby's gentle press tomato juice
The New Yorker, November 9, 1935, page 61


Hmm. Shouldn't that be "Hey nonny nonny?" Anyway, there you have it. Whatever gentle press tomato juice may be, the New Yorker's artists seem to know how to promote it to a sophisticated audience.


February 2, 2017 Update:  Arno's 1934 drawing for Libby's is adapted from a cartoon he drew for the New Yorker in 1928. Even the captions are related.
Peter Arno
The New Yorker, November 3, 1928

"Heavens, Horatio! I forgot to order that case of gentle press Tomato Juice!"

Note:  By the way, anyone possessing additional information relevant to this post—original artwork perhaps, other Libby's ads by New Yorker artists, long-lost archives of J. Walter Thompson—please get in touch via email with AB–for Advertising Beverages—in the subject line. Then feel free to follow the aqua links to explore Attempted Bloggery's informative posts based on today's keywords. Hey nonny nonny!







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