Showing posts with label Indians. Show all posts
Showing posts with label Indians. Show all posts

Thursday, March 1, 2018

E. Simms Campbell and Dorothy McKay: Eight Cartoons from Esquire

A group of five color cartoons by E. Simms Campbell torn from copies of Esquire in the 1930s are listed together on eBay. As luck would have it, on the back of three of these are cartoons by Dorothy McKay. Let's have a look at how these two distinctive cartoonists helped to define Esquire's brand of humor in the 30s.

First off, for 1939, this E. Simms Campbell "Harem Girls" swipe at Hitler seems disappointingly tame:
E. Simms Campbell
"It's Adolph Hitler. He wants to know if he can borrow some dancers[.]"

Esquire, July 1939, page 42

This gag cartoon from 1939 retains some political relevance today:
E. Simms Campbell
"He won't pay for the oil. He said it was stolen from him anyhow!"

Esquire, August 1939, page 35


In a Father's Day gag, Dorothy McKay's sly saleswoman (on the flip side of the Hitler cartoon) wants to know a little too much about the children's young father. The size of the family says it all.
Dorothy McKay
"Well, now, let's see—what does your daddy do in his spare time?"

Esquire, July 1939, page 41

The "Harem Girls" are back again, this time in a labor dispute that leaves the sultan flummoxed. This gag would have mirrored some of the widespread social upheaval during the Great Depression. As a practical matter, though, are the women in the harem really employees?
E. Simms Campbell
[Harem Girls on Strike]
Esquire, August 1934, page 39

On the other side of the page, Dorothy McKay illustrates one of the hazards faced by susceptible swim instructors. Her female bather appears less glamorous than Mr. Campbell's typical women.
Dorothy McKay
"He was teaching me to swim[.]"

Esquire, August 1934, page 40

Swim instructors aren't the only ones with a weakness for attractive women, it seems. Here Mr. McGregor works closely on his student's form:
E. Simms Campbell
"—but when do I hit the ball[,] Mr. McGregor?"

Esquire, July 1937, page 72

On the opposite side of the page, Dorothy McKay's priest attempts to return a foul-mouthed parrot to the pet shop. Just look at his body language!
Dorothy McKay
"That's the reason I sold him to you, Reverend—I thought you'd reform him[.]"

Esquire, July 1937, page 71

The final cartoon in the set pretends to leave everything to our imagination but we all know exactly what's going on, don't we? This seems a good time to ask a basic question about gag cartoons: Why have them in color? If the color doesn't add to the joke, does it add to the atmosphere enough to justify its use? Does color need to be justified at all? To help you decide, here's a cartoon with almost nothing but atmosphere:
E. Simms Campbell
"Don't look now of course, George—but the moon is simply marvelous tonight!""

Esquire, September 1939, page 71

E. Simms Campbell
eBay Listing Ended January 25, 2018



E. Simms Campbell
eBay Item Description






Note:  Perhaps you've noticed. Attempted Bloggery is looking at the work of cartoonist E. Simms Campbell (1906-1971). I seek scans or photographs from readers of original Campbell art or rare published works not already available on the internet. Sure, I'll take work by Dorothy McKay as well. I'm not so particular.

Do we need more color cartoons today? Certainly color cartoons can be lovely to look at, but why are the world's best cartoons in black and white? Or are they? Your opinions are welcome in the comments section. Simply scroll down and you'll find it. I promise.
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Thursday, April 28, 2016

Peter Arno: Without Reservation

"Morning, Chief!" is a cartoon by Peter Arno with a short caption and a long headdress. The play on words suggests, but certainly doesn't prove, the involvement of an uncredited gag writer. The original artwork for this 1965 cartoon was sold at Skinner, Inc. in 2013 for $840.

"Morning, Chief!"
Peter Arno, Original art, The New Yorker, October 2, 1965, page 49

Skinner, June 1, 2013, Lot 429

"Morning, Chief!"
Peter Arno, The New Yorker, October 2, 1965, page 49

"Morning, Chief!"
Peter Arno, The New Yorker, October 2, 1965, page 49


Note:  Collectors can show off their own examples of original New Yorker cartoon art on this very blog, even if it isn't by Peter Arno. Everybody wins!

Who was Peter Arno? Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist by Michael Maslin is on sale now.

More Arno links:

Peter Arno posts on Ink Spill. 

Peter Arno in Chris Wheeler's Cartoon(ist) Gallery. 

Peter Arno at NorthJersey.com. 

Peter Arno in April's Vanity Fair

Peter Arno in the March 29 Wall Street Journal article. 

Peter Arno posts here on Attempted Bloggery. They're adding up!

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Wednesday, April 27, 2016

Peter Arno: With Reservation

Lo, the poor Indian! whose untutored mind
Sees God in clouds, or hears him in the wind;
His soul proud Science never taught to stray
Far as the solar walk or milky way;
Yet simple nature to his hope has giv'n,
Behind the cloud-topped hill, an humbler heav'n.
—Alexander Pope, An Essay on Man


In yesterday's post, two Peter Arno originals hung on a wall, but only one was discussed. Today it's time to look at the other one. The framed cartoon art hanging below the light switch was published in 1966, dating it to relatively late in the artist's career. It appeared in the New Yorker and depicts unhappy native Americans huddling before a small fire. The caption reads, "Lo, the poor us!"

This cartoon is unusual for Arno in that it uses word play derived from a literary source. One can speculate that it is the sort of joke that might have been created for him by a gag writer.


"Lo, the poor us!"
Peter Arno, The New Yorker, February 26, 1966, page 32



Note:  This blog boasts many fine examples of original New Yorker cartoon art, and maybe a few not so fine. Take your pick.

Wouldn't you know it? Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist by Michael Maslin has hit the bookstalls. I've made it through the prologue.

More Arno links:

Peter Arno posts on Ink Spill. 

Peter Arno in Chris Wheeler's Cartoon(ist) Gallery. 

Peter Arno at NorthJersey.com. New article!

Peter Arno in April's Vanity Fair

Peter Arno in the March 29 Wall Street Journal article. 

Peter Arno posts here on Attempted Bloggery. 

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Monday, September 14, 2015

"It is Balloon:" Leaving the Museum of Fine Arts

There's a lot more to see in the Museum of Fine Arts, Boston, but we'll get back to some of that at a later date. For now, most readers of this blog will be happy to see a blimp floating above the art museum. Disappointingly, it isn't there to get the notice of legions of art lovers, but rather of the fans at the Red Sox game in nearby Fenway Park.

Cyrus Edwin Dallin, Appeal to the Great Spirit, 1909

What's that up in the sky?

"It is balloon!"--as no real Indian ever said.






"It is balloon!"
From "F Troop" Season 2, Episode 3
"Bye, Bye, Balloon" - September 22, 1966
Don Diamond as Crazy Cat
Frank de Cova as Chief Wild Eagle
Written by Austin and Ima Kalish
Directed by Seymour Robbie


Note:  See my photos from the fine collection of the Museum of Fine Arts, Boston.

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Thursday, October 31, 2013

Arthur Rackham: Long Stories of Ghosts, Witches and Indians

Illustrator Arthur Rackham's 1916 book illustration tells the story of telling a story. Note that the light source is pretty close to the viewer's vantage point, as if we ourself are holding the candle or sitting directly in the fireplace.

Arthur Rackham, Long Stories of Ghosts, Witches and Indians, Washington Irving, Rip Van Winkle,
London: William Heinemann, 1916, page 5

http://www.chrisbeetles.com/gallery/children/long-stories-ghosts-witches-and-indians.html


Note:  Arthur Rackham appears on the blog here.

My Halloween posts are here.

The baseball season is over, but the blog posts remain here.

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