Showing posts with label Frank Beaven. Show all posts
Showing posts with label Frank Beaven. Show all posts

Sunday, December 8, 2019

Blog Post No. 3100: Frank Beaven's Dickensian Christmas

It seems my friends all know how to make good use of their scanners, something I seem to be constitutionally unable to learn to do with my own. My good friend Jerome Wrinkle has contributed a superb set of scans of an original Christmas cartoon by Frank Beaven, one of his favorite cartoonists. It was published in the Saturday Evening Post at the end of 1940. He writes:

I have scanned both front and back, the tear sheet I have, and an isolated scan of the published cartoon.

I bought this on eBay. The seller thought it was from 1955 as 55 is scrawled on the front but, of course, that was what he was paid—$55.00. That's why, in those days, a cartoonist needed to hustle to make as many sales as possible to make a living. That meant turning out many, many cartoons each week. And, for the lucky ones, scaring up advertising assignments. Gagwriters were a necessity in order to turn out enough batches each week. Nobody, except Addams and Arno, could make a real living by simply working for the New Yorker.
To which I would add a simple note that even both Addams and Arno took on plenty of illustration and advertising work, and they published some cartoons in magazines other than the New Yorker as well.
"All I want to know is what gave you the idea I wanted
the complete works of Dickens last Christmas?"
Frank Beaven
Original art
The Saturday Evening Post, December 28, 1940, page 64
Scan by Jerome Wrinkle 

Well, I think we can all agree that such a gift is not exactly age-appropriate and therefore the premise of the gag is probably not so believable. But multivolume complete sets of Dickens were sold widely in those days, proud testaments to the owners' literary taste whether they were read or not, and perhaps even if they were given to budding young readers.


Although published seventy-nine years ago, the scenario remains a familiar one. Some period details stand out: the density of the sales staff and the fact that all the customers, even the boy, have hats.
Verso
Scan by Jerome Wrinkle
The published cartoon shows shades of red added in production.
"All I want to know is what gave you the idea I wanted
the complete works of Dickens last Christmas?"
Frank Beaven
The Saturday Evening Post, December 28, 1940, page 64

Scan by Jerome Wrinkle

"All I want to know is what gave you the idea I wanted
the complete works of Dickens last Christmas?"
Frank Beaven
The Saturday Evening Post, December 28, 1940, page 64
Scan by Jerome Wrinkle 

Frank Beaven's 1940 New Jersey home—the address is written on the back of his cartoon—was built either in 1928 or 1930 (Zillow mentions both dates). It is a three-bedroom single-family dwelling. No word on how many works of Dickens it housed.


Note:  My thanks to Jerome Wrinkle for his wonderful scans and commentary. This is his ninth contribution to this blog. He notes that the original cartoon shown here is no longer in his possession.

I asked my father about his own complete set of Dickens. He believes a "door-to-door salesman sold it to us when I was a young boy." You would "pay a little bit each week"—or perhaps it was each month. They would drop off a new book and the subscriber would pay there and then. He adds, "I was the only one who read them." So…perhaps the cartoon isn't quite as implausible as I thought!


The Attempted Bloggery Centennial Posts
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Blog Post No. 100
Blog Post No. 200:  A Shaggy Dog Story

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Saturday, November 3, 2018

Frank Beaven: A Voter Decides

Before television, people kept up with the news through the press, radio, and newsreels shown in movie theaters. In the latter way, at the very least, getting the news was more of a communal experience. Welcome to Election Day of 1940 as depicted in a Collier's cartoon by Frank Beaven. The voter registry, it will be noted, is a ledger signed with a dip pen sitting in an inkwell.  All of the voters shown here are white. Four of the five are men, and their various social standings can be read in their clothes or even in their hats alone. When her memory slips, the lone woman, the voter in the booth, is shown relying on her husband to be the knowledgeable authority figure.

"Which one was it that was so witty in the newsreels?"
Frank Beaven
Collier's, November 9, 1940, page 28

Scan by Dick Buchanan






Note:  I am ever grateful to Dick Buchanan for providing Attempted Bloggery with the election-themed scan here straight out of the awe-inspiring Dick Buchanan Cartoon Clip Files. Dick also contributes regularly to Mike Lynch Cartoons, most recently a post entitled "From the Dick Buchanan Files: Gag Cartoon Clichés Part 6 1945 - 1956." Not to worry: you'll find links to Parts 1 through 5 there as well.


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Frank Beaven


Election Day

Sunday, June 18, 2017

Frank Beaven in College Humor, October 1937

Goodness gracious! If you think a 1930's gag cartoon featuring two busty women and calling attention to their obvious physical similarities is the sort of puerile, sophomoric humor that could only appear in a magazine like, well, College Humor, think again.
"You should know each other—with so much in common."
Frank Beaven
College Humor, Vol. 6, No. 2, October 1937, page 39

If we go back six years earlier, we can find a similar theme to the Frank Beaven College Humor cartoon, only it's a classic Peter Arno drawing. This one was created not for the college crowd but for the urbane and sophisticated readers of the New Yorker.
Peter Arno
The New Yorker, October 10, 1931, page 20




July 23, 2022 Update:  A photo of a rough of the Arno drawing has been posted by its owner here.



Note:  That's just my way of wishing a happy Father's Day to all!

This marks Frank Beaven's first appearance on the blog.

The October 1937 issue of College Humor glimpsed here, alasdoes not belong to me. It is part of the Steven Boss humor magazine collection at Columbia University, some 5,600 magazines crying out for serious research. Instead, they got me. More than a year ago I ventured into the Rare Book & Manuscript Library where library staff confiscated my ink and my coat and then gave me free reign to go through boxes of magazines. Librarian Karen Green, the Curator for Comics and Cartoons at Columbia University, can get you started on your own research in the collection. Tell her I sent you and maybe you can have some pencils. Don't worry though: I got my jacket and pens back when I left.


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