Showing posts with label E. B. White. Show all posts
Showing posts with label E. B. White. Show all posts

Wednesday, January 28, 2026

George Price: A Wartime Letter

Original New Yorker art by cartoonist George Price is prized by collectors for its depiction of an assortment of characters—sometimes eccentric, often of limited means—living out their lives among the bric-a-brac they have accumulated. This sort of humor, mingling as it does personalities, settings, and objects, requires a deft touch. A drawing of his from early 1943 shows Price in great form, delivering equal parts humor and poignancy, capturing some of the true emotions experienced on the home front during World War II.  

"He's homesick."
George Price
Original art
The New Yorker, February 6, 1943, p. 19

He wrote the two-word caption at the upper left; it was to be printed underneath on the wife's side of the drawing. The economy of words among the proliferation of lines is striking. The blue coloring indicates where the Ben Day process would produce shading in the printed cartoon.

Detail with caption

The signature in black india ink remains bold, but the inscription to John, the original giftee, has faded considerably over eight decades.
"All best wishes
to John —
George"

One might very well ask why, on December 10, this exceptional framed and matted drawing sold at auction in Philadelphia for only $100. To be fair, the auction house Barry S. Slosberg's estimate started out low, $100 to $200, and it proved accurate. The piece, which so well reflected the mood of the country during the Great War, may not resonate so strongly with many today, although any parent should understand. Finally, the market is inefficient, and some collectors who love this kind of art may not have seen this piece come to auction. For them, they may just have to wait eighty-three more years for another chance.

George Price
Barry S. Slosberg, Inc., listing of December 10, 2025

George Price
Barry S. Slosberg, Inc., item description




For all its complexity, the drawing looks very clean on the printed page. Price knows how to tell a story visually: the couple seated apart but sharing the news from overseas, the photograph of the son in uniform on the wall, the peeling plaster, the hungry cat, the nailed floorboards, and . . . everything else.

"He's homesick."
George Price
The New Yorker, February 6, 1943, p. 19

"He's homesick."
George Price
Original art
The New Yorker, February 6, 1943, p. 19


With cartoons by Leonard Dove and George Price


* * *



On the page opposite, Leonard Dove's cartoon about obtaining credit in time of war provides an interesting contrast with Price's. The shading is heavier, the setting is less surprising, and the caption is, of course, a lot wordier. 
"Frankly, Mr. Courtney, it isn't only the government regulations—we like prompt payment also."
Leonard Dove
The New Yorker, February 6, 1943, p. 18



In one of those quirky mistakes that pop up from time to time in the database, The Complete Cartoon of The New Yorker (2004) erroneously attributes the Price cartoon to Dove as well. The confusion persists to this day in the Condé Nast Store's online listing of "He's homesick."



Newsbreak Q&A:
Whenever I enjoy a given snappy rejoinder such as this one, I wonder if it was perhaps written by E. B. White.





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Sunday, July 20, 2025

Jarrett C. White's Copy of One Man's Meat by E. B. White

E. B. White's essay collection One Man's Meat was published in 1942. Washington, D.C., architect Jarrett C. White was fortunate enough to have his copy personalized by the author in the year of publication. White, the architect, died in 1947. I do not believe the two men were related. 



"For Jarrett C. White.   
with thanks for the
business.              
             E. B. White
1 August 1942"       


White's compelling prose makes me want to turn the page and keep reading.


E. B. White
AbeBooks listing accessed July 20, 2025

E. B. White
AbeBooks item description






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Saturday, July 19, 2025

Louisa Kennedy's Copy of The Elements of Style by Strunk and White

The 1959 edition of The Elements of Style was the first to include contributions and revisions by E. B. White. The original style guide had been written by White's Cornell University professor William Strunk, Jr., for use in his classroom. A copy of the third printing was inscribed to Louisa Kennedy by White in the year of publication.






E. B. White
AbeBooks listing accessed July 19, 2025

"Signed by E. B. White on the front free endpaper and inscribed in chicken scratch . . . "










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Wednesday, November 16, 2022

Roger Angell's Copy of Amateurs by Donald Barthelme

I never got to meet Donald Barthelme; I know him only through his extraordinary short stories, many of them published in The New Yorker, and one of his novels. Neither did I meet Roger Angell,New Yorker giant who wrote of sports, particularly baseball, and served for many years as the magazine's chief fiction editor. He and his second wife Carol were, in 1976, the fortunate recipients of an inscribed copy of Barthelme's new collection Amateurs, which has recently come onto the market from Angell's estate. It is a book which I have not read, although some of the short stories nevertheless may be familiar. After all, fifteen of the twenty-one stories had originally appeared in The New Yorker, where I may very well have seen them. Angell must have read (and perhaps even rejected) the others as well, so it isn't surprising that, according to the bookseller offering it, "The book itself has no sign of previous use."


I may not have met Angell, but at least I had the opportunity to meet him. I attended exactly one function where he was present, a 2015 opening reception at the Luise Ross Gallery for New Yorker cartoonist Edward Koren, Angell's friend. In 2014, Koren had designed the baseball jerseys for Angell's J. G. Taylor Spink Award ceremony at the Baseball Hall of Fame. Columbia University's comics librarian Karen Green pointed Angell out to me, the only one present who was wearing a baseball cap.


Still, I did not feel comfortable introducing myself. I had not read any of his works—I was far more familiar with the writing of his stepfather E. B. White—and I certainly couldn't talk baseball on his level. Besides, he was busy with other people. At least Karen got a photograph of him—with Koren—from the event. Today a cropped version of that photograph has pride of place on Angell's Wikipedia page, mocking me.



Donald Barthelme
AbeBooks listing accessed November 10, 2022
https://www.abebooks.com/servlet/BookDetailsPL?bi=31351038616&searchurl=kn%3DThe%2BNew%2BYorker%26sgnd%3Don%26sortby%3D0&cm_sp=snippet-_-srp1-_-title19



Note:  Roger Angell's Wikipedia page is here, complete with the photograph taken at the Luise Ross Gallery.


Better still, see Karen Green's uncropped photograph of Angell and Edward Koren together as it appeared on Ink Spill here.


And you might as well take a look at Ed Koren's baseball jersey designed for Roger Angell's big day in Cooperstown here.


Cartoonist Michael Maslin did get to meet Donald Barthelme (talk about your coincidences!) and to write about it years later on his Ink Spill blog here.


Richard Locke reviewed Amateurs for the Times in 1976 (not all that favorably) here.







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Sunday, May 8, 2022

Atlas Roller Skating by James Thurber?

Is Sex Necessary? Or Why You Feel the Way You Do by James Thurber and E. B. White first hit the bookstalls in 1929. This early collaboration was well-received and helped to launch the stunning book careers of both authors. Thurber and White wrote alternating chapters, but the humorous drawings are all the distinct work of Thurber.  The Cleveland Book Company has listed a copy of the later 1944 edition, "a fantastic copy, with an unmistakeable original drawing by James Thurber (though it is not signed; this is typical of Thurber's doodlings) on the front free endpaper." Reasonable minds may differ, and I personally would take exception to the descriptors "fantastic," "unmistakeable," "typical,"—and "by James Thurber."

 

The drawing, which I take to be Atlas roller skating and losing his hold on the world, is very loose and amateurish, but that isn't enough to make it Thurberesque. The style actually seems rather nondescript; it could easily be the work of anyone inspired by Thurber rather than the work of Thurber himself. For those who are more convinced than I am of the sketch's authorship, the book is listed on AbeBooks for $1,000.

 

James Thurber
AbeBooks listing accessed April 30, 2022


Note:  All opinions are welcome. I would especially like to see evidence of mid-1940s James Thurber doodles with stylistic or thematic similarities to or difference from the example seen here.


Is it bad manners to mention a book called Is Sex Necessary? on Mother's Day? I take full responsibility.





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Thursday, March 10, 2022

Blog Post No. 3900: Peter Arno's Cad Confrontation

Two suitors confront each other at a showgirl's dressing room door. Happens every day. The original artwork by cartoonist Peter Arno was sold on eBay in 2020. The eBay seller could not provide the caption or the publication history, but we can fix that here. 

First, the auction:







Peter Arno's signature



Detail of the showgirl




A clue! The verso has an A number which identifies this as a New Yorker drawing.




Peter Arno
eBay Listing Ended June 24, 2020


Peter Arno
eBay Item Description




And now, the big reveal:

"You cad! You're not fit to touch the hem of her skirt."
Peter Arno
Original art
The New Yorker, March 20, 1943, page 17
Peter Arno's Man in the Shower (1944)

Cartoons by James Thurber and Peter Arno
Story by E. B. White

https://archives.newyorker.com/newyorker/1943-03-20/flipbook/016/


As dutifully noted above, the cartoon also made an appearance in Peter Arno's Man in the Shower (1944):






The Attempted Bloggery Centennial Posts 💯
Blog Post No. 100
Blog Post No. 200:  A Shaggy Dog Story






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