Tuesday, March 22, 2022

James Stevenson's Copy of The Art of The New Yorker 1925-1995

According to eBay seller dc467 of Paramus, a very nicely signed copy of The Art of The New Yorker 1925-1995 by Lee Lorenz that belonged to cartoonist James Stevenson (1929-2017) was obtained from his estate. The seller suggests the volume was "presented to" Stevenson, raising the question of whether he himself attended the book launch party at 70 Lincoln Center Plaza. Stevenson doesn't seem to have signed anybody else's book there, so it's unclear whether he was or was not actually present.


In July, the seller first offered this book for $599.99. It's an unusually high price even for a copy signed by multiple cartoonists, but the volume does come with a great provenance. The truth is, there is no absolute evidence in the book that it belonged to Stevenson, but a lot of the cartoonists addressed him as Jim and seemed familiar enough with him, so there is really no reason to doubt he was the owner. Furthermore, there are apparent inside jokes from Roz Chast, Edward Koren, Victoria Roberts, and Robert Weber, two of them referring to his hair, perhaps his facial hair. A surprising number of the cartoonists signed not on the front endpapers, as seen in several other copies, but on pages in the book alongside their individual printed cartoons. On the downside, there are not enough original drawings here; the two by George Booth and Danny Shanahan are absolute highlights of the book. 


The seller, dc467, did not accept sequential offers and counteroffers of $200, $225, and $250. Eventually, though, dc lowered the book's asking price to $350 and in late December, apparently despairing of another opportunity to sell it before Christmas, accepted a best offer of $280.













James Stevenson
eBay listing ended December 20, 2021




Robert Weber actually wrote, "To Tom—Jim said that I loved your sculptures, too. Robert Weber."
The unidentified signature on the back endpaper belongs to George Plimpton.
James Stevenson
eBay item description
Sold for best offer of $280



"To Jim
Very best wishes
George Plimpton"


Included is Stevenson's clipping of Ben Yagoda's review of The Art of The New Yorker 1925-1995 in the Times Book Review. I posted this five years ago without the Thurber drawing, so here it is again, this time complete:





Note:  Believe it or not, this is the eleventh unique copy of this book to appear here on the blog and the second originally belonging to a New Yorker cartoonist. I still have two more copies on deck, but I'm sure there are far more worth posting. 

So here's the deal, in a nutshell: You scour your personal library, or a friend's library, for a copy of this book, or really of any book, with at the very least an original drawing or inscription by a New Yorker artist, take scans of photos of the critical pages, and forward such to me. I do the rest, and soon interested parties everywhere get to see and enjoy your images.




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Monday, March 21, 2022

My Entry in The New Yorker Cartoon Caption Contest #795

This week's New Yorker Cartoon Caption Contest is served up by Felipe Galindo, Feggo to his friends. It's #795 from the issue of March 21, 2022 and my caption is shown below.

"I trust you will continue to enjoy date night."




These captions got sent back to the kitchen:

"Why, yes, I am the head waiter."
"We do everything to enhance the romantic experience."
"Madame has made a fine selection."
"Is there anyone else I might get you?"





March 28, 2022 Update:  The Finalists




April 10, 2022 Update:
  I voted for the caption from Madbury.



April 17, 2022 Update:  The Winner






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Sunday, March 20, 2022

Sally Holmes's Copy of Fantasia by Deems Taylor

Sally Holmes was an inbetweener at Walt Disney Studios, meaning that she animated transitional frames between key frames. She left her job circa 1946 at which time she had many of the animators and even Walt himself sign her copy of Deems Taylor's Fantasia (1940). Some of the book's signers were well on their way to becoming Disney legends and others were to remain more obscure. Most added original drawings. Some of these presented to the married Holmes were sexist and risqué—and quite different from the usual Disney fare. The book was sold on eBay circa November 2009. It is now on the market again via AbeBooks, selling for a pretty penny.


Title page
"To Sally Holmes
All Best Wishes
Walt Disney"

"G'By Sally!"
Artist Unknown
"Gosh Sally! I'm sure gonna miss yuh!
'Take care of yourself baby'
David Deliege[?]
(Dave)"

"Take It Easy"
Rudy Cataldi

"To a 'ducky' pin-up girl!"
Stamped "O. K. for INB[etweening].
Signed: Earl Combs"


Fantasia
AbeBooks listing accessed March 17, 2022

Not much is known about Holmes. Here's her signature on a 1945 Disney studios borrowing card, second from the top:

https://www.worthpoint.com/worthopedia/1945-walt-disney-studio-library-card-1890410556



Note:  Sally Holmes's farewell book was previously sold on eBay in 2009. This allowed Jenny Lerew's The Blackwing Diaries blog to show many additional pages from this volume. You can see her full 2009 post here. Also, Mark Mayerson's blog Mayerson on Animation has an additional page from the 2009 listing here. Back in 2009, I still had the good sense not to try blogging.


EBay listings are generally deleted three months after auction close. I would love to hear from anyone who may have had the foresight to archive the complete 2009 listing for this volume. Additional information about Sally Holmes would be welcome, of course.


Books signed and illuminated en masse like this one are often fascinating, at least to me. I would like to post images provided by collectors who are lucky enough to own books personalized by the likes of Disney studio animators, Dutch Treat Club members, or New Yorker artists—that sort of thing. 



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Saturday, March 19, 2022

Promoting Peter Arno's Circus: Audacity Vs. Dirt

Two contemporary advertisements for Peter Arno's Circus, his 1931 cartoon collection, show distinctly different approaches to the art of book promotion. The first was spotted by Scott Burns in the New York Times Book Review of January 11, 1931. Under the banner "Audacity vs. Dirt," it revels in Arno's reputation for racy humor, and in the consummate skill which he brings to his art—not like, you know, some of those crude hack artists out there. Well, see the language for yourself:
Advertisement for Peter Arno's Circus
The New York Times Book Review, January 11, 1931

Photo by Scott Burns



In contrast, here is how the book was promoted on Arno's home territory in The New Yorker:
Advertisement for Peter Arno's Circus
The New Yorker, December 14, 1931, page 91

Unsigned spot drawing, news breaks, and various advertising




Note:  Scott Burns has come through once again, earning my gratitude here for the fifteenth time. Among his many accomplishments, Scott maintains a comprehensive Ralph Steadman bibliography here. I wouldn't steer you wrong.

As a result of these new findings, I've had to update my far-from-comprehensive 2016 post on Peter Arno book promotions here.

Are there other print ads for this book? Your discoveries can be added to this blog.

Glory be! Who can identify this spot artist?






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Friday, March 18, 2022

The Unread P. C. Vey

Back in 2012, I attended a cartoon art auction at the Morton Memorial Library in Rhinecliff. There I photographed an original cartoon by P. C. Vey which was up on the auction block. At the time I believed it to be unpublished.
"You may not want to read this book but you'll certainly want others to think you've read it."
P. C. Vey
Original art
Barron's

But today the cartoon is listed on CartoonStock as having been published in Barron's. Good for them. Almost certainly, it was first offered to The New Yorker and, for whatever reason, not accepted.

https://www.cartoonstock.com/cartoon?searchID=BA500103



Most New Yorker readers, including this blogger, probably share some degree of regret in not wanting to read everything that we should, and in not being able to read everything that we want. In this week's magazine, we learn that Vey gave The New Yorker a second chance at celebrating the unread book. This time, happily, the magazine's editors did not demur.

A spot drawing by Peter Oumanski and a cartoon by P. C. Vey


Note:  P. C. Vey's work has not been collected in book form, so there's nothing there to avoid reading.


You can still leave unread my 2012 account of the "Art Auction for Morton." It is enshrined in the archives here.





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Thursday, March 17, 2022

Barbara Shermund: Beach Sighting

It's so helpful to find that original cartoon art by Barbara Shermund has its publication history written out in big letters on both sides of the paper. Thus we learn that this beach cartoon appeared in "The Cheering Section" of Pictorial Review, a syndicated Sunday newspaper color supplement from King Features, dated August 7, 1960. While her cartoons appeared in pairs in Shermund's Sallies, "The Cheering Section" generally published a single large cartoon surrounded by a variety of smaller written and illustrated pieces.

"I just can't see what she sees in him!"
Barbara Shermund
"The Cheering Section"
Pictorial Review, August 7, 1960



Barbara Shermund's signature


Detail

These diagonal views don't add much.

Verso
"Cheering Section
Rel[ease] Aug 7- (60)"

Verso
"Cheering Section
Rel[ease] Aug 7- (60)"

Barbara Shermund
eBay listing ended March 6, 2022

Barbara Shermund
eBay item description


Barbara Shermund
eBay bid history
One bid in the final five seconds









Note:  I'm fresh out of copies of the August 7, 1960 issue of Pictorial Review and so is the internet, as far as I can tell. I call on readers and collectors of sixty-odd-year-old newspaper inserts to send in scans or photos of "The Cheering Section" page. Also, can anyone find my wetsuit?






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