Showing posts with label hat. Show all posts
Showing posts with label hat. Show all posts

Friday, November 22, 2024

Monsieur and Madame Gregory's Copy of Le voyage de Babar by Jean de Brunhoff

On Wednesday, at Bonhams, London, a unique first edition of Le voyage de Babar (1932) was sold. It bore an original drawing by Jean de Brunhoff, Babar's creator, of the beloved elephant in a hat shop. The salesman is offering Babar something fashionable but, perhaps, too small and insignificant for a royal elephant of his stature. 






The presale estimate was 10,000 to 20,000 GBP.
Jean de Brunhoff
Bonhams London, Knightsbridge, listing accessed October 27, 2024

The buyers' premium for this lot is 28%.

Sold! Hats off to Babar!



That comes to a 10,000 GBP hammer price plus the 2,800 GBP premium.



Note:  I doubt there are very many Babar books by Jean de Brunhoff, or even by his son Laurent, that are drawn upon quite so exquisitely but, even so, readers who feel they've come upon a contender are encouraged to relay images here for posting. And a tip of the hat to you too.



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Sunday, August 13, 2023

Thomas Eastwood: Finding the Right One

A woman tries on a hairband in a vintage spot drawing by Thomas Eastwood. She is shown holding a mirror up to her hair while standing behind a display of small hats. The artwork is believed to have been published in the pages of The New Yorker between 1930 and 1945. It was sold on eBay in March for a best offer under $99.





Thomas Eastwood
eBay listing ended March 14, 2023



Thomas Eastwood
eBay item description




Note:  You know how this works. I've done the easy part; now I ask you when precisely this drawing was published. If only you had your own blog, then you could be asking the hard questions.



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Friday, March 20, 2020

John and Therese Wright's Copy of Desclozeaux

The Institut français du Royaume-Uni in South Kensington held an exhibition of work by French cartoonist Jean-Pierre Desclozeaux in January and February of 1982. It was the artist's first showing in England. The exhibit featured a sampling of the artist's vibrant watercolors. The catalogue has an appreciative introduction by Ronald Searle. John and Therese Wright's copy has some foxing on the cover, but it boasts an inscription by the artist in multicolored pencil.
The Institut français du Royaume-Uni, London
Desclozeaux, 1982

Slightly foxed—but still desirable

Spine view

Inscription by Jean-Pierre Desclozeaux

"Apropos Desclozeaux" by Ronald Searle





Desclozeaux
eBay Listing Ended November 18, 2019


Desclozeaux
eBay Item Description

eBay Bid History
One stealthy bid at the auction close.



Note:  I'm almost certain that perfectly-centered Searle signature is a printed one that appears in every copy of the catalogue. Anyone with a copy who can confirm or refute this should get in touch.

This is the first appearance of Jean-Pierre Desclozeaux on Attempted Bloggery. Readers with examples of his original art are encouraged to share them here by submitting scans or photos.



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Thursday, February 21, 2019

Peter Arno: No Offense?

Racial caricatures of Africans and others were common in mainstream American publications up until at least the 1950s and likely beyond. A left-leaning magazine such as The New Yorker was no exception. Peter Arno was the most popular New Yorker cartoonist of his day, and like many others he created images meant to be humorous that today redound as deeply offensive. 

A 1942 ad featuring two African tribesmen marveling over the potential use of an inverted Stetson hat is meant to appeal to and amuse an upscale and sophisticated readership in the pages of The New Yorker. It isn't hidden away in the back of the magazine; it's right there on page one where everyone can see it immediately. No advertiser could expect to sell a hat or any other product by offending potential customers. Racial and, let's face it, racist caricature would have to be broadly accepted by the culture for it to be used as a major element of such an advertising campaign. It would seem there wasn't a word of protest to be had from the artist, the magazine's editorial staff, the advertiser, its ad agency, and—so far as one can tell—the readers.
"A Stetson...a gentleman...a specially fine stew!"
Peter Arno

Stetson Hats advertisement
The New Yorker, January 24, 1942, page 1


https://archives.newyorker.com/?i=1942-01-24#folio=CV2



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Sunday, December 30, 2018

Perry Barlow: Sizing Up the New Year

It is New Year's Eve eighty years ago in the pages of Collier's. Perry Barlow's older couple has not quite gotten into the spirit of the festivities. Note how deftly Barlow sets the scene and contrasts the impassive couple in the foreground with the energetic partygoers everywhere else.
"Now, let's see, I take about a seven and three eighths[.]"
Perry Barlow
Collier's, January 7, 1939, page 43

Scan by Dick Buchanan


Note:  Hats off to Dick Buchanan for sending along this scan of a festive Perry Barlow cartoon. This is Dick's fortieth contribution to Attempted Bloggery, but then I have been known to undercount. Dick's claim to fame is that he keeps the monumental Dick Buchanan Cartoon Clip Files. From these he contributes regularly to Mike Lynch Cartoons, most recently a post entitled "From the Dick Buchanan Files: More Vintage Gag Cartoons 1947 - 1962." Go visit. You won't find these anywhere else. Yes, you can wear your party hat.




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Thursday, April 13, 2017

Peter Arno: Dueling for Publicity

Look what turned up on eBay! A published cartoon by Peter Arno reportedly dating from 1941 is set at a moonlit gun duel. A woman in white delays the proceedings by announcing that the press has yet to arrive. Even before the invention of social media, the media were social.

The drawing is gorgeous: dark, moonlit, possessed of a comic gravitas—how does Arno do it?—for two-thirds of the characters, anyway. The woman seems to inhabit a different, less troubled world. The gag itself is a little on the weak side and the situation somewhat open to interpretation. Is this a duel over the young woman, and is it she therefore who craves the publicity it will bring? Is a potential suitor dueling with her father or with a sugar daddy? If not, why is she getting involved? Things could stand to be a little clearer.

Where then was this published? Not in the New Yorker, it seems, although the typeface used is similar. The eBay seller was unable to say, except that he thought it was from the New Yorker, but that publication surely would never have omitted the comma before boys.

"Wait a minute boys, the reporters aren't here yet!"
Peter Arno, 1941



April 14, 2017 Update:  Mystery Solved!

A reader directed to this post from Ink Spill did a Google Book Search on the caption and was directed to an unspecified issue of the New Yorker from 1941. When I was informed of this, it occurred to me: the reason the caption wasn't in the magazine's cartoon database is that this cartoon was not editorial content but instead was part of an advertisement in the magazine! Given the fancy hats, there was only one product this could be...

By the way, note the exceedingly poor quality of the New Yorker's scan compared to the absolutely superb scan by the eBay seller. The New Yorker was an early adopter of scanning technology—too early, to our lasting regret.

"Wait a minute boys, the reporters aren't here yet!"
Peter Arno, Stetson advertisement, The New Yorker, February 22, 1941

http://archives.newyorker.com/?i=1941-02-22#folio=006


"Wait a minute boys, the reporters aren't here yet!"
Peter Arno, Stetson advertisement, The New Yorker, February 22, 1941

Note:  It should go without saying at this point, but I'll say it anyway: If you know where and when this drawing was published, run, don't walk, to the nearest internet-enabled electronic device, perhaps the very one on which you are reading these words, and send that vital information this way at once. Furthermore, if you know of any other Arno drawings published in magazines other then the New Yorkerthose we know about—scans or photos of said cartoons are urgently needed here.

Wait, it doesn't end there. Original published Arno art, preliminary art, sketchbook pages, correspondence, inscribed books, family photos, press photos, and notebooks are needed as well. The reporter is here, boys!



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Saturday, March 18, 2017

A Tip of the Hat from Jean-Jacques Sempé

A copy of Jean-Jacques Sempé's De Bon Matin [Early in the Morning] (1983) is inscribed to one Donatello with a drawing of a man raising his plumed hat. The inscription dates from 1999. The book was found at a second-hand bookstore in Manhattan last year for $50.

Jean-Jacques Sempé, De Bon Matin, Denoël, 1983

Inscribed "Pour Donatello, Sempé 1999" with a drawing of a man raising his plumed hat.

Note:  Do you have anything unique to share about the uniquely-talented Jean-Jacques Sempé? Send what you've got this way and I will raise my hat to you. Well, my baseball cap.


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