Showing posts with label gravestone. Show all posts
Showing posts with label gravestone. Show all posts

Tuesday, September 30, 2025

The Art of the Redraw: Charles Addams for Alex G. Campbell, Jr.

Not every collector, one supposes, would have asked the great Charles Addams to redraw a published New Yorker cartoon and substitute his own, the collector's, name and year of birth on a cemetery monument. Alex G. Campbell, Jr., then, must not have been your typical collector. He was a successful Kentucky horse breeder and philanthropist, and was evidently in possession of a sense of humor. 


Perhaps he was a jogger as well. Campbell's actual date of death was much later than 1976, I'm pleased to report. He died in 2023 at the age of 95. But in 1976, no one, neither Addams nor Campbell, could have known that would come to be the case.


Chas Addams's signature


In an undated autograph note penned on New Yorker stationery, Addams atones for the act of giving his benefactor even a joking 1976 cartoon demise. This date of death was required in keeping with the original cartoon. Generously, Addams makes it clear that he sends Campbell "best wishes for a long and happy life," i.e., one that does not end in the fateful year 1976. He does not shy away from giving himself the same joking year of death at the end of the letter, which was evidently written some time the year that the cartoon was published.






Here we see the published New Yorker cartoon above the redraw. The jogger's name in the printed drawing was a not-very-convincing N. B. Watrous with the years 1930-1976. (Campbell was two years older.)
N. B. Watrous
1930-1976
Charles Adddams
The New Yorker, 
March 22, 1976, p. 26


A. G. Campbell, Jr
1928-1976
Charles Adddams
Redraw after The New Yorker, 
March 22, 1976, p. 26



With drawings by Charles Addams and Stan Hunt


* * *

Meanwhile, on the other side of the spread, there's a Stan Hunt cartoon with a decidedly different atmosphere. The New Yorker evidently took great care to vary the types of drawing that faced each other on the printed page.
"Foster has opted for a wait-and-see policy."
Stan Hunt
The New Yorker, March 22, 1976, p. 27






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Monday, October 28, 2013

Charles Addams on Broadway, Gravely

Roald Dahl's farce comedy "The Honeys" opened on Broadway at the Longacre Theatre in April of 1955. It starred Jessica Tandy, Hume Cronyn, and Dorothy Stickney. An illustration for this production by Charles Addams depicts a gravestone with a portrait of two closely-related men, perhaps twins or, since this is a farce, possibly the same person in disguise. The original artwork was sold last year by Heritage Auctions, which reported that it appeared in Playbill, but there is some reason to question this. It wasn't used as a cover illustration nor does it appear in any of the inside pages shown on the Playbill website, so doubts are justified.

The drawing of the gravestone may have been strictly promotional. An Addams illustration would be the perfect way to advertise a play, particularly a comedy, to The New Yorker's sophisticated audience which already delighted in morbid Addams cartoons. In fact, this drawing was published as an advertisement in The New Yorker issue of April 2, 1955 and perhaps elsewhere.

Charles Addams, original promotional artwork for "The Honeys," The New Yorker, April 2, 1955, page 50

Charles Addams, framed original promotional artwork for "The Honeys," The New Yorker, April 2, 1955, page 50

Charles Addams signature

http://fineart.ha.com/c/item.zx?saleNo=5087&lotNo=78267#83968396209



Charles Addams, Advertisement for "The Honeys," The New Yorker, April 2, 1955, page 50

The Addams artwork appears somewhat elongated in the ad to accommodate additional type in the blank space below the double portrait. By the way, opening night orchestra seats were sold out, but mezzanine seats were still available for $4.60, $3.45, and $2.90!

Charles Addams, Advertisement for "The Honeys," The New Yorker, April 2, 1955, page 50

Incidentally, on this very magazine page there is an ad for the 1954 Broadway musical "The Pajama Game" in which you can just make out artwork by another legendary  New Yorker cartoonist, Peter Arno. Here's a better look at it:

Peter Arno, Playbill for "The Pajama Game" (1954)
Image added November 6, 2013

Peter Arno, U.K. sheet music for "Small Talk" from "The Pajama Game" (1954)





Note:  Naturally, I'd be grateful to anyone who can document any other uses to which this artwork for "The Honeys" was put.

You can find additional blog posts about the splendid Charles Addams here.

Spooky posts about Halloween may be found here.

The Tee & Charles Addams Foundation has its website here.

By the way, the exhibition "Chas Addams: Family and Friends" is on view at Southampton Center through November 3. Read all about it here.

Charles Addams still makes the news, and it is covered on Ink Spill here.

His artwork has been featured on The Pictorial Arts blog here.

It seems I've been neglecting Peter Arno lately, but I'll make it up to you at some point. In the meantime, my older posts can still be enjoyed here.

Additional blog posts about Broadway may be found here.

My blog post about last year's Hurricane Sandy is here.

Let's not forget the World Series! Attempted Bloggery's archive of baseball blog posts is here.

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