Showing posts with label Robert Crumb. Show all posts
Showing posts with label Robert Crumb. Show all posts

Wednesday, October 17, 2012

An R. Crumb Sketch of Mr. Natural

Mr. Natural is easily my favorite character by underground comic artist R. Crumb, not that I'm all that conversant with the many facets of his work. The phenomenon of souvenir sketches drawn on first day covers must originate with collectors, who apparently believe that a sketch done on a postal rarity must be more desirable than one done on a blank sheet of paper. Modern first day covers are ubiquitous and not terribly valuable. The only examples where I could conceive of the pairing of a cover with a sketch being truly desirable is when the commemorative stamp and the cover are somehow related, for example an Al Hirschfeld drawing on an FDC with a Hirschfeld stamp. By this standard, I don't think Mr. Natural appearing on a National Parks Centennial stamp quite qualifies, although perhaps it was a reasonable effort on someone's part to make a connection. By the way, I don't imagine the Postal Service has plans ever to issue a stamp commemorating the work of R. Crumb, but wouldn't that be something, eh?

The eBay listing below has a narrative about Mr. Crumb asking to verify this work and then giving the sale his blessing. It would be interesting to know what sort of documentation exists of this interaction.

R. Crumb, Sketch of Mr. Natural, 1972


http://www.ebay.com/itm/R-Crumb-pencil-Mr-Natural-sketch-drawing-signed-autographed-on-envelope-1972-/290782068957?pt=LH_DefaultDomain_0&hash=item43b3f640dd&nma=true&si=E8sqr5T1Ol7skfXMFhzdqWsJpdo%3D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557

0489

Thursday, September 6, 2012

R. Crumb's Wild Dog Masthead

From a recent listing on eBay comes this extraordinary original artwork by R. Crumb from the collection of Dan O'Neill. After eleven offers were rejected, the listing was ended early and the drawing may have been sold outside of eBay.

R. Crumb, Wild Dog Masthead, 1985

While I'm not consistently a fan of his work, R. Crumb's drawing for the Wild Dog masthead is really something. The image invokes a fierce, even rabid defense of free speech. But to what end was this created? The publication Wild Dog, after all, defends a strip club in San Francisco. Was this really a free speech issue? Is the masthead invoking the spirit of Thomas Jefferson or Marilyn Chambers?

You've got to hand it to Dan O'Neill, though. He must be incredibly charismatic to involve talented Underground cartoonists in his controversial projects. I don't know whether anyone got paid for work on this broadside, although the Mitchell Brothers O'Farrell Theatre did support local Underground artists. Maybe this was all done out of loyalty.

How could Dan O'Neill, who also was the founder of the notorious Air Pirates, persuade others to join him in that financially-calamitous venture? "Let's plagiarize as many Disney characters as we can and draw them committing rude adult acts so Disney will have to sue us big time" doesn't sound like a compelling artistic cause to me. But perhaps it does explain why, decades and lawsuits later, O'Neill is selling off his art collection and getting his hands on some cold hard cash. Welcome to the real world, Dan.




Robert Crumb, Wild Dog Masthead, 1985





Robert Crumb, Wild Dog Masthead, published 1985

Robert Crumb, Victor Moscoso, Dan O'Neill, Wild Dog, Vol. 1, No. 1, 1985


Robert Crumb's Wild Dog Masthead Original Art, eBay Item Listing

Robert Crumb's Wild Dog Masthead Original Art, eBay Item Description


The original eBay listing doesn't end here, but goes on to quote extensively from Wikipedia entries on Dan O'Neill, Air Pirates, Robert Crumb, Victor Moscoso, and Dianne Feinstein. It's a huge amount of material and I'm not going to reproduce all that here, but there is some fascinating reading for anyone interested. In preparing this post, I also used the Wikipedia entry on Mitchell Brothers O'Farrell Theatre, which proved surprisingly helpful for this writer who knew nothing of this West Coast adult entertainment establishment. Honest.

0445

Wednesday, February 22, 2012

Book Review: The R. Crumb Sketchbook, Vol. 10: June 1975 - Feb. 1977

The R. Crumb Sketchbook, Vol. 10: June 1975 - February 1977 (2004)
Robert Crumb
Crumb indulges in both sexual and racial stereotypes in a drawing he deemed suitable for the cover.



Volume 10 of The R. Crumb Sketchbook covers the time period from June 1975 to February 1977. I recall that a handful of the more memorable pages were published in Esquire magazine at the time. R. Crumb himself selected those sheets from his sketchbook that are reproduced here. Not surprisingly, it's something of a mixed bag.

Crumb's pen-and-ink technique is quite proficient, and many of these so-called sketchbook pages really have the look of finished drawings. Others have a more tentative feel.

The domestic scenes and pictures of Aline posing are indeed quite nice. Other more disturbing pages depict abuse or acts of violence against women. These seem to highlight Crumb's psychopathology pretty explicitly.

Having talent and knowing what to do with it are two different things. Crumb's demons are intermittently on view here, and it can be difficult at times to comprehend why he's the object of so much adulation.


Crumb here looks harmless and old-fashioned


For a sketchbook drawing, this seems very finished.

Crumb has a very impressive hatching and crosshatching technique here. There is a nice sense of depth.

Angst Comics. I don't think the comic strip lives up to the title.

Crumb seems to demonstrate a Protestant work ethic even as he mocks it.

http://www.amazon.de/Crumb-Sketchbook-1975-Feb-1975-february-Sketchbooks/dp/1560976330






Note:  My recent post on Crumb's correspondence is here.

0244