Showing posts with label Norman Mingo. Show all posts
Showing posts with label Norman Mingo. Show all posts

Tuesday, October 16, 2018

Paul H. Elliott-Smith's Copy of A Golden Trashery of MAD

Under what circumstances were Paul H. R. M. Elliott-Smith's copy of A Golden Trashery of MAD (1960) signed in 1981 by publisher William M. Gaines, Al Feldstein, Nick Meglin, and a clutch of "the usual gang of idiots?" Was this hard-to-find book brought to a signing event or simply to the New York offices of MAD? Elliott-Smith (1919-1999) was a marketing and economics consultant, according to the sales listings below. He would have been around 62 in 1981, certainly not the typical age for a MAD fanboy. But at that age he could well have been retiring from whatever sort of consulting he did for EC, and the drawing by Paul Peter Porges on the lower right has a "Good-By'" that suggests this may have been the case. In this context, the book might have been a presentation copy prepared in advance and given to Elliott-Smith, which would explain why Gaines wrote "Free Sample!" The unique book is being offered for $1,000 on AbeBooks, or you can have it for just $900 on eBay. Hey, it's your money.

A Golden Trashery of MAD
New York: Crown, 1960

Cover by Norman Mingo

Twelve signatures, eight sketches

George Woodbridge

Jack Rickard takes the real estate under the dust jacket flap and makes the most elaborate drawing.

Inscribed "Free Sample!
Bill Gaines"

Jack Davis, Al Jaffee, Al Feldstein

Lou Silverstone, Dick DeBartolo, Paul Peter Porges


Sergio Aragonés

Bob Clarke, Nick Meglin

Introduction by Sid Caesar

A Golden Trashery of MAD
eBay Listing Retrieved October 16, 2018




A Golden Trashery of MAD
AbeBooks Listing Retrieved October 16, 2018






Note:  It should come as no surprise that this is the first and only copy of A Golden Trashery of MAD to appear on this blog. I am, of course, open to showing other MAD books here, particularly if they have interesting inscriptions or original drawings.

Today I broke with my internalized style book and capitalized all three letters of MAD even though I know better. For some reason it felt right. Shouldn't I stick with the lower-key Mad?



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Sunday, January 22, 2012

Big Barcodes

Here are a couple of strikingly similar magazine covers which both make reference to the Universal Product Code, or UPC. This barcode is now commonly used to scan trade products at checkout counters in grocery stores but there was a time when it was new and when it was resented.

Mad Magazine took up the gauntlet first, in it's April 1978 issue when the UPC label was first being introduced to magazine covers. A magazine might be expected to resent the UPC's infringement on its valuable cover space, the area the magazine uses to project its image and sell itself to newsstand customers. Mad showed its Luddite streak, reproducing a grotesquely-enlarged version of the UPC label and expressing the hope that "this issue jams every computer in the country." Mad's defiance might have had more bite if they had actually omitted the smaller, real UPC code.

A decade later, The New Yorker ran James Stevenson's cover, which uses an enlarged UPC image as a strong graphic element that overwhelms the small and oblivious supermarket shoppers. The New Yorker may safely assume that it doesn't share too many readers with Mad, but over a decade certainly some readers may migrate. Stevenson's use of the enlarged UPC label specifically pertains to grocery items and not to magazines. Note that The New Yorker's cover doesn't carry the real UPC label. The magazine's circulation is mostly by subscription, and these mailed issues do not carry the UPC barcode that copies of the magazine are required to have in stores.

Mad Magazine, No. 198, April 1978

James Stevenson, The New Yorker, November 14, 1988


Note:  James Stevenson's poster appears in my New York is Book Country post here. Stop by and find out what's lurking in the sewers of Book Country.

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