Showing posts with label I. Klein. Show all posts
Showing posts with label I. Klein. Show all posts

Sunday, March 9, 2025

I. Klein at "Drawn From The New Yorker: A Centennial Celebration"

I. Klein's art was about contrast: black against white, curves against angularity. His sense of humor was rather striking as well.

               "Beautiful lavallière you are wearing, my dear. Those
landscape tints do become you so."             
                      "Oh, yes. I prefer marines at times, but they are so large,
and I detest heavy ornamentation."            
I. Klein
Original art
The New Yorker, June 19, 1926, p. 18



Yes, the I. was for Isidore. This original art is currently hanging at the Society of Illustrators, part of "Drawn From The New Yorker: A Centennial Celebration" curated by Liza Donnelly—but the room with the Klein cartoon will be a part of the show for just a few more days. 
   "Beautiful lavallière you are wearing, my dear. Those landscape tints do become you so."
   "Oh, yes. I prefer marines at times, but they are so large, and I detest heavy ornamentation."
I. Klein
The New Yorker, June 19, 1926, p. 18




With a header by Rea Irvin, a drawing by I. Klein, and a Profiles portrait by an as yet unidentified illustrator



* * *

Smoking header
Rea Irvin


I've had occasion once before in 2020 to visit this page of The New Yorker and enquire about the unidentified illustrator of Hendrik Willem van Loon's portrait. It was only ninety-nine years ago; someone should be able to recognize the artist's work.
Hendrik Willem van Loon
Artist Unidentified





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Saturday, August 29, 2020

Helen E. Hokinson: Portrait of Hendrik Willem van Loon

Hendrik Willem Van Loon was a bestselling author who illustrated his own popular histories, most notably The Story of Mankind in 1921. He was the subject of not one but two New Yorker Profiles, in 1926 and 1943. The latter profile was published over the course of three issues, creating the need for three distinct illustrated portraits of the subject to appear at the head of each installment. It seems likely that Helen E. Hokinson's illustration of van Loon, pronounced "van Loan" from the Dutch, was intended to accompany one of the segments of this three-part article. Her original artwork of van Loon in black tie is currently listed by James Cummins Bookseller.

Helen E. Hokinson
AbeBooks listing retrieved May 2, 2019


A younger and thinner van Loon was depicted with a cigarette holder in the Profiles illustration of June 19, 1926. The article is by Waldo Frank.
Section header by Rea Irvin, cartoon by I. Klein, and a Profiles illustration
https://archives.newyorker.com/newyorker/1926-06-19/flipbook/018/

Helen Hokinson's artwork did not appear in any of the three sections of van Loon's 1943 Profile by Richard O. Boyer. The first part appeared in the March 20, 1943 issue with an illustration that does not try to hide van Loon's double chin, collar size 17 ½". Was having a cartoon on the facing page a consolation prize for Hokinson?
Profiles illustration by Will Cotton, cartoon by Helen E. Hokinson
https://archives.newyorker.com/newyorker/1943-03-20/flipbook/024/

The March 27 issue has a Profile illustration by Abe Birnbaum that unflinchingly portrays van Loon's corpulence—he weighed 290 pounds—and his continued smoking. In the end, was Hokinson's portrait too flattering for The New Yorker's editors?
Profiles illustration by Abe Birnbaum, cartoon by Leonard Dove

 For the third installment, Miguel Covarrubias depicts van Loon with ambidexterity in his dual capacities as writer and artist. "He once drew a picture of himself confronting the world; of the two, van Loon was the larger and more impressive" writes Richard O. Boyer. Once again Hokinson's cartoon appears on the facing page. Just a coincidence?
Profiles illustration by Miguel Covarrubias, cartoon by Helen E. Hokinson


Note:  At the time of this posting, Helen E. Hokinson's portrait of Hendrik Willem van Loon is still available from James Cummins Bookseller.

I have not been able to identify the illustrators of the 1926 Profile or of the March 30, 1943 Profile, so I would appreciate some assistance with this. I have assumed the Hokinson portrait was never published anywhere; please tell me if I'm wrong about this.


August 31, 2020 Update:  Tom Bloom has identified the signature on the March 30, 1943 Profiles illustration as Will Cotton's. It seems very plausible, even obvious, once pointed out. Thanks, Tom.


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Friday, June 5, 2020

I. Klein: The Triumph of the Melting Pot

An original drawing by I. Klein of many men (and one woman) sporting straw hats was offered recently on eBay where it sold with a best offer. The art has a notation saying it "must go June 5," which suggests when, but not where, it may have been published. The Triumph of the Melting Pot is, we learn, the universal acceptance of fashionable straw hats by the divers ethnicities and races that populate 1920s New York (a Broadway street sign is clearly visible). Most disturbing, at least to modern sensibilities, is the caricature of the black couple that is the unfortunate focus of this gag. Could this racist stereotype possibly be from a New Yorker cartoon?

It could be and it is: it appeared in the issue of June 5, 1926, during the magazine's second year. Such images, regrettably, were common in the New Yorker of the 1920s and they persisted in the mainstream print media to at least as late as the 1950s. Their ubiquity in the culture, of course, does not in any way excuse them. It's important to remember that this image and others like it shaped the attitudes of a generation towards race. Were there objections? Maybe, but the artists, editors, and advertisers who were in a position to act seem to have been silent.
The Triumph of the Melting Pot
I. Klein
The New Yorker, June 5, 1926, page 28

The figure at the lower right wears a beard that identifies him as a member of the Orthodox Jewish community. Why does he wear not one but three straw hats? Is he hawking them?
I. Klein's signature
Klein uses no half-tones, just a complex interplay of light and dark. Also, we see the 1926 prices of different straw hats when an issue of the New Yorker cost fifteen cents.
Detail with signage

Caption
The sea of straw hats is really quite a tour de force. The man catching the straw hat is all in white, making him stand out. (Another black man is behind him.) The arc from the hat through the man's raised arm and his body serves to direct the eye to the racial caricature of the man raising his hat.
Catch this!

"Must go June 5"
  
Verso

I. Klein
eBay Listing Ended April 4, 2020


I. Klein
eBay Item Description




The Triumph of the Melting Pot
I. Klein
The New Yorker, June 5, 1926, page 28
Cartoons by I. Klein and Barbara Shermund
https://archives.newyorker.com/newyorker/1926-06-05/flipbook/028/



Note:  This very cartoon was discussed in 2016 on the blog A New Yorker State of Mind here.



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Thursday, June 4, 2020

I. Klein: Heavenly Hope for Sale

You never know who will show up at the office, hat in hand—and you never know what will show up on eBay. I. Klein's original cartoon art, recently sold at the auction site, is a study in contrasts: darks and lights, young and old, middle class and poor, hope and despair, commerce and religion, educated professionals and one still working at it. The eBay seller, noting the words "New Yorker" written on the back, is careful not to overstate the case for it being a published cartoon from that magazine. But the case is made anyway by the letter R at the top right of the image, signifying New Yorker editor Harold Ross's approval. Even better, the cartoon dates from 1925, the New Yorker's tumultuous first year.
"Will you buy a copy, Mum, it will help me work my way thru college, Mum."
I. Klein
Original art
The New Yorker, October 10, 1925, page 14
Published as "Will you buy a copy, Mum? It will help me work my way through college."

Klein's signature is drawn, almost constructed, rather than signed.

I. Klein's signature
The details are incredible. The sheet in the typewriter bears the letterhead of James J. Jam, possibly with the title General Editor, or maybe not. The letter is dated "New York June '25," which may be when Klein intended the cartoon to be published. (It ran in October.) The letter is addressed to Mr. James Smith of Burbank Ave. in Newark, N.J., another James, less imaginatively named, and paired with a fictitious address. The keyboard is not quite QWERTY—only the A and the Z are close to where they belong—and is not big enough anyway to hold all the letters of the alphabet.
Detail of typewriter

The salesman appears disheveled and defeated. His clothing is tatty. There is some levity, though, in the magazine cover.
Detail of salesman
The secretaries, on the other hand, have fashionable hairstyles and clothing well-suited to the modern office of 1925.
Detail
The handwritten caption is a run-on sentence which doesn't gain anything from the repetition of "Mum." Yet it didn't take much work to fix it.
Caption
Some notations can be trusted. This is from the "New Yorker" indeed. Klein has included his address.
Verso

I. Klein
eBay Listing Ended March 30, 2020


I. Klein
eBay Item Description



"Will you buy a copy, Mum, it will help me work my way thru college, Mum."
I. Klein
Original art
The New Yorker, October 10, 1925, page 14
Published as "Will you buy a copy, Mum? It will help me work my way through college."
https://archives.newyorker.com/newyorker/1925-10-10/flipbook/014/

I. Klein's Lower East Side home (or studio) at 169 E. Broadway still stands today. Apartments are above the 169 Bar which was known during Prohibition as the "Bloody Bucket."
169 E. Broadway today



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Sunday, December 24, 2017

Frank Hanley: The Christmas Spirit

In case you missed it on the newsstands, here are a few pages of "The Christmas Spirit"-themed issue of Judge from December 13, 1930. The busy and festive three-color cover illustration is by Frank Hanley.


Frank Hanley, The Christmas Spirit
Judge, December 13, 1930

Carl Becker's art deco illustration for Powers Reproduction Corporation, photoengravers, demonstrates that when you're wearing fur you don't need much else.
Carl Becker ad for Powers Reproduction Corporation                    Lenz Bridge Contest                                    
Judge, December 13, 1930, inside front cover and page 1

Ed Graham, "Send up some cracked ice to Mrs. Blitz at the Ritz Towers—her daughter is throwing a début party!"
I. Klein, A Great Moment in the Life of a Chicagoan:  He is mistaken for Al Capone.
Chon Day, "I wonder where the boss put this guy's art work?"
E. Simms Campbell, "Listen—when are we ever going to get heat in our apartment?"
"I dunno—I'm only th' janitor."

Judge, December 13, 1930, pages 8-9


Bruce Bairnsfather, "Alright, leggo now Bert.  She's open!"                     
                                                             "Judging the Movies"
by Pare Lorentz
Judge, December 13, 1930, pages 18-19

Jefferson Machamer
Judge, Junior's Christmas Lists
Judge, December 13, 1930, pages 24-25


"Everyone knows that heat purifies and so 20,679 physicians say that Luckies are less irritating to your throat."
Judge, December 13, 1930, back cover


Judge, December 13, 1930
eBay Listing Ended December 13, 2017




Judge, December 13, 1930
eBay Item Description

Note:  At press time, this copy of the magazine is still available on eBay.



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