Showing posts with label 1931. Show all posts
Showing posts with label 1931. Show all posts

Saturday, June 29, 2019

Peter Arno Uncovered

I bought my copy of Peter Arno's Circus (1931) for $12.50 in late 1988. The cartoon collection was pushing sixty then, so it was not surprising if it was a bit beaten up with no dust cover in sight. That was really not a concern of mine at the time. I was happy enough to add it to my library in its imperfect state and to bring my Arno collection closer to completion. Besides, I wouldn't have known how to find a copy with a proper dust jacket if I'd wanted to. Before the internet, pretty much it either came your way or it didn't.

Now the book is pushing ninety and that missing original dust jacket is something of a collector's item. It's a real curiosity today too, a relic of the long-defunct circus sideshow. The cover depicts a circus "fat lady" named Fatima, the exotic name taken, apparently, from a song in the 1921 stage musical "Love Birds" by Sigmund Romberg which punned on the name's first syllable. Arno's stock Timid Man character, walking with his rail-thin wife, turns to contemplate the bountiful mysteries of Fatima, who regards him in turn with an alluring smile. That ability of Arno's to let us read his characters' unspoken desires is truly uncanny!

A copy of the book is currently offered for $250 on AbeBooks by Between the Covers. It includes the dust jacket and three additional Arno prints which do not appear in the book and which may have been provided by the publisher. The price is twenty times what I paid for my copy in 1988.
Peter Arno
AbeBooks Listing Retrieved June 28, 2019


"Fat, Fat Fatima" from "Love Birds" (1921)
Music by Sigmund Romberg
Lyrics by Ballard MacDonald
José Ferrer as Sigmund Romberg
From "Deep in My Heart" (MGM, 1954)
Directed by Stanley Donen

https://digitalcommons.library.umaine.edu/mmb-vp/2871/

Arno knew his audience connected the name Fatima to the sideshow "fat lady." A 1928 Arno cartoon depicts a magic act at a circus sideshow. Signage across the background advertises "Fattest Woman—La Belle Fatima."
"Fake, ain't it?"
Peter Arno
The New Yorker, May 8, 1928, page 13


Reader and long-time contributor David from Manhattan has sent along three images of the flap copy:
Photo by David from Manhattan
Photo by David from Manhattan
Photo by David from Manhattan





Note:  I wish to extend an apology to every woman in the world named Fatima.


Quick Links to the Attempted Bloggery Archives:
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Wednesday, May 18, 2016

Peter Arno's Circus Signed Limited Edition 1931

The cartoon collection Peter Arno's Circus was published in 1931. The signed limited edition consisted of 110 copies, down from the 145 copies issued in 1930 for the Hullabaloo limited edition. It seems the Depression was making it hard to sell deluxe editions of cartoon collections, along with other luxury items.

Peter Arno's Circus (1931), copy 105 from the limited edition of 110

Limitation page from Peter Arno's Circus (1931)

Note:  By now the blog archives have quite a lot to say about Peter Arno. This is the 60th post to mention the artist. You'd better have a look-see. There are also quite a number of signed books.

Also by now you probably have your own copy of Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist by Michael Maslin. If you don't, check out the book review in the Christian Science Monitor that calls the book "dazzling." There's also an excerpt entitled The Peter Arno Cartoons That Helped Rescue The New Yorker which was published on May 5 in the New Yorker's online edition. It's all about the Whoops Sisters. Who are they, you ask? You shouldn't know.

Here are some more links for the Arno devotee:



Peter Arno posts on Ink Spill. 

Peter Arno in Chris Wheeler's Cartoon(ist) Gallery. What a library! Does he have the signed limited edition of Peter Arno's Circus? Yes, and another signed copy to boot.

Peter Arno in the April 26 Record. It's northern New Jersey's newspaper, or so I'm told.

Peter Arno in April's Vanity Fair

Peter Arno in the March 29 Wall Street Journal.


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Tuesday, April 30, 2013

With Laurel and Hardy's Best Wishes

The boys are looking dapper in this 1931 publicity photo inscribed to Jack Ogilvie of the Hal Roach Studios. It will be sold on May 5 at Bonhams in Los Angeles.

Stax Graves, Laurel and Hardy, Hal Roach Studios, 1931
Inscribed to Jack Ogilvie
Bonhams Los Angeles, May 5, 2013

Stax Graves, Laurel and Hardy, Hal Roach Studios, 1931
Inscribed to Jack Ogilvie
Bonhams Los Angeles, May 5, 2013
May 5, 2013 Update:  Sold for US$1,375 including premium.


Stax Graves, Laurel and Hardy, Hal Roach Studios, 1931
Inscribed to Jack Ogilvie
Bonhams Los Angeles, May 5, 2013
Laurel and Hardy in
"Chickens Come Home" (1931)
Directed by James W. Horne

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