Showing posts with label *50. Show all posts
Showing posts with label *50. Show all posts

Saturday, June 25, 2022

For a Small House by John Held, Jr.

It's time for us to review the June 9 auction of  Illustration Art at Swann Galleries. The sale included an original 1930 book illustration by John Held, Jr.

For a Small House
John Held, Jr.



Swann's listing gave us the publication history and dutifully described the art, but now longtime contributor David from Manhattan has come through and really done his homework. David reports:


The drawing in the most recent Illustration Art sale at Swann was originally described as having Held's signature hidden by the matte. A request to have the back opened for inspection proved definitively that it was not signed. However, the lot description of the drawing as coming from page 72 of a book, Saturday To Monday, was not only accurate, but for any collector interested in The New Yorker, rather fruitful.






The author, Newman Levy, was an early contributor to the magazine, starting with the second issue in February 1925. The book here was a volume of verse poking fun at weekend guests, generously illustrated by the artist with twenty-five drawings plus the dust-jacket, and who was given a co-author credit for his troubles. Only one of the drawings show Held's signature. The Swann lot was for a poem, "For a Small House."

Levy was no Dorothy Parker, but he was popular with the editors, contributing poems, fiction, profiles, "Talk" pieces and a short article on the New York transit situation listed in the archives as "No Department." Several of the Saturday To Monday poems appeared in 1929 under the running title "Weekend Verses." Prior to the start of the magazine, Levy collaborated with Rea Irvin on two volumes of verse, Opera Guyed and Gay But Wistful.


Opera was especially successful, its shelf life extending to decades. The same can't be said for Saturday, which had two printings its first year (1930), then quiet. It was never reprinted. Levy's name disappeared from the magazine for more than a decade, but two poems were published in the early fifties. Only a day after the auction I was able to locate a sound copy of Saturday from a dealer who in the past has been reliably fair with his prices and accurate in his descriptions.




Jonn Held, Jr. 
Hammer price $1,800






Note:  It seems I can never thank David from Manhattan enough. This is his fiftieth contribution to Attempted Bloggery. 


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Sunday, March 28, 2021

National Doctors' Day: Stanley Stamaty in the O.R.

National Doctors' Day comes around every year on March 30. I always assumed the date was chosen for its proximity to April Fools' Day, but actually it marks the anniversary of the first use of general anesthesia in surgery. And, speaking of surgery, a 1952 cartoon by Stanley Stamaty take us right into the operating room for a dose of medical humor.
"Robert, how much longer do we have to go on meeting like this?"
Stanley Stamaty
Cartoon Humor, Vol. 16, No. 3, 1952, page 80

Steven Boss humor magazine collection



Note:  This 1952 issue of Cartoon Humor is one of more than 5,600 magazines in the Steven Boss humor magazine collection at Columbia University. I took this photograph in the Rare Book and Manuscript Library more than five years ago on March 10, 2016, a time when lovers wearing masks had no particular social significance beyond the confines of the operating room. Today's post marks the fiftieth I got out of that half day's work—so far! I'm overdue for a return visit, but while the Butler Library where this wonderful collection is housed is now open to Columbia students, it is not yet open to the general public. Still, Curator for Comics and Cartoons Karen Green can provide interested parties with up-to-date information on access to the collection.

This issue contains several other full-page cartoons by Stanley Stamaty, but I did not photograph them, a serious error in judgment on my part. I'd like to redeem myself and post these other cartoons too when I get the chance. To that end, anyone with a copy of this magazine and a camera or scanner could be a tremendous help. Otherwise, this issue of Cartoon Humor should be my first stop when I return, eventually, to the RBML.

Stanley Stamaty still doesn't have a Wikipedia page. Shouldn't somebody do something about that?


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Thursday, November 28, 2019

Ted Key: A Hazel Thanksgiving

For Thanksgiving, the industrious Dick Buchanan has gone to his Cartoon Clip Files and produced a scan of "Hazel" by Ted Key. Dick writes:
Hazel came to him in a dream one night and, in the beginning, cartoons featuring her appeared in other magazines until The Saturday Evening Post insisted Hazel should become exclusively theirs. Yes, I have a couple of these cartoons in my file.
Later, of course, Hazel went on to her own television show. This particular cartoon seems to show a surprisingly malign or even cruel side of Hazel.

"Penny for your thoughts."
Ted Key 
The Saturday Evening Post, November 29, 1958, page 122
Scan by Dick Buchanan

I've always thought the phrase "Penny for your thoughts" should take a question mark. It's not merely an offer of exchange; it's an idiomatic request to know what someone is thinking. It is generally intoned as an interrogative. 


"Hazel" Theme Song

Second "Hazel" Theme Song


Note:  I am as ever thankful to my friend Dick Buchanan for his contributions here. Dick maintains the priceless Dick Buchanan Cartoon Clip Files. He contributes regularly to Mike Lynch Cartoons, most recently some early cartoons memorializing the late "Gahan WIlson 1930 - 2019."

Tuesday, April 26, 2016

Peter Arno: Getting the After-Theatre Crowd

In New York, everyone likes to play to a crowd! Peter Arno understands this—after all, he does a bit of it himself—and he uses it to good effect in the cartoon "We were lucky to get the after-theatre crowd, weren't we?" The drawing depicts firefighters and well-dressed bystanders at a raging blaze somewhere in the area of Times square. The gag was originally published as a full page cartoon in the New Yorker of January 24, 1942. It was subsequently included in the 1944 collection Peter Arno's Man in the Shower. The original New Yorker artwork was sold on eBay in December of 2010 after several unsuccessful tries. This eBay listing has not been seen on the internet in over five years.

"We were fortunate in getting the after-theatre crowd, weren't we?"
Peter Arno, Original artwork
The New Yorker, January 24, 1942, page 22
Man in the Shower, 1944

Detail

Detail

Peter Arno's signature
Detail

Caption

Detail

"We were fortunate in getting the after-theatre crowd, weren't we?"
Peter Arno, Original artwork
The New Yorker, January 24, 1942, page 22
Man in the Shower, 1944

Two Arno originals!

"We were fortunate in getting the after-theatre crowd, weren't we?"
Peter Arno, The New Yorker, January 24, 1942, page 22




eBay Q & A
[End of eBay Listing]
"We were fortunate in getting the after-theatre crowd, weren't we?"
Peter Arno, The New Yorker, January 24, 1942, page 22
From Peter Arno's Man in the Shower, 1944

Note:  Do you know what this blog post needs? If you read the Q & A you do. It needs a photograph showing this original art when it was hanging in the 21 Club. This is a tall order, I know, but if you've got the goods, please don't be shy about it. Usually I ask for much easier stuff and almost no one responds anyway.

For example, something I'd consider far easier would be for you to send me an example or two of original New Yorker cartoon art. This blog has a nice virtual collection of it and I'm always looking for more. Collectors take note: you can remain anonymous if you wish. Politicians take note: sure you can have some free publicity.

Would you like to know a little more about Peter Arno? Well, this is your lucky day. Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist by Michael Maslin was just published last week. If you're reading this blog, my guess is you should be reading this book.


While you're waiting for the book to arrive from Amazon, why not check out these helpful Arno links?

Peter Arno posts on Ink Spill. It's as if Arno's biographer had written them.

Peter Arno in Chris Wheeler's Cartoon(ist) Gallery. It's as if a great cartoon book collector were showing off his holdings.

Peter Arno in April's Vanity Fair. It's as if a leading national magazine that doesn't publish cartoons really cared about this cartoonist.

Peter Arno in the March 29 Wall Street Journal article. It's as if the financial district were a temple of high culture.

Peter Arno posts here on Attempted Bloggery. It's as if I had nothing better to do.

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